The Ballad of Sexual Dependency

In a room in the MOMA in NYC I watched a slideshow of Nan Goldings 'The Ballad of Sexual Dependency', a moving piece chronicling intimate life, exposing bruised lives I sat and wrote for 45 mins.

the ballad:

Leather couch sitting in dark
creeping and coughing behind a
man- a Spanish voice a white
square it will tell answers I
know it - The ballad of .
Sexual Dependency
white eyebrows
old couple – pearl necklace & mickey
mouse headless super her os in open a muscles
dusty boots a look a line a
bend esall race sunny shirtlessness
a mirror dancing jessus sleep ‘
velvet black V please put down
your legs holy tights chains naked
bed a bow smoke muscles anatomy
hairy toilet yes so what ordinair
never look into legs viva fishnet
women why laugh teeth 1244274

Simple MIDWAY PARK ring a look
content lost wide eyebrow the
distance smut to the
leather seat
rubbing wood HUG denim point
just eyed press the match a cross
morning eyes watch lace Brut knee
embrace cry MAN lost ladder
face mask breast bruise towel
dawn window back root kiss the
girl bruised eyes needles bllod shot
burn bruised breast
eyes slit
2gether swelling flowers red
screams tear lines of blood
splatter down pants gun
picnic bang bang bullets tough
knife grown muscle strength
My back open shower don’t

Make me over submerge floating
breasts lie back
running hair squat pregnancy

touch phone inflict Hostage girls
admission dollar a lie feather
held by hair gold street bed
just Re-married thong tropical
she sings on TV wed . Ring
country cake balloon growth
milk sport Baby kiss confused
touch taste flowering wall paper
wrestle centipede outstretched arm

avec looking up pout stomaches touch
ATLAS
this is a mans world fight talk mother
a circle trees in window train watch
no smoking erect pens kiss on sand
guns and a devil mask straps
snake a city cowboy pushing in
motor cycles to drum
pissing BBQ fire linger she had
on
coco boots light changed NO
standing

long snow in bath shellelton hiding

romantic V stained shirt check hug

kinky skeleton MY ouch a

burning lady luck swollen eye one

window goodbye I don’t want

a partner broken tooth loving

new romantic
1946-1955
many men flowers turn away
run away

woods kiss on TV a back shaving
looking down water breathing wipe
this flesh
holding penis ex boardwalk nike hat
back seat hugging
THINK

I guess I have to confess I have been
wandering too-
I wish it could
happen to me

admission $10 pink elephant cocaine white
teeth cuddling baby holding a torch

first heart shaped bruise- Guilty
hard wall chain lace gloves eyeliner
poxy pink light ring square lines on
face a denim jacket look earring
FRONT needles into a gun lady blood

ft 16.90 its 3 nestle a spoon

newsweek camels and brown

lace gloves smoke pain high heels

when your alone- go downtown
the cast- music converse

Monopoly twist girls
girls
girls live

banana shirt at tomorrows parties
an Eiffel lower golds MOT

2 women sit on the toilet flames on

cer seduction grab
unmade beds
neo hugging memories
lace in night shy

father mother husband erect angels
with flowers skeleton
coffin fit up
kiss sleep

I have been performing:

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outside

92cm x 64cm x 208cm

15/07/08- 07/08/08

24 days x 120 minutes

inside

80cm x 54cm x 148cm

Can you pnder the
performing of
the
performance A singular performance
beceome a Lonely task

IT BECOME A TASK
can reading and Re – READING A
become an act of making N
in response to performance
UN
I am
taking my gendre to you
to the
Does wearing black
line dress
L

I taking IN
THE
N
time E horizontle becomes e ignificant
06:23
means the

the day has

to A is NO

LOOKING UP
pressed H against this new
to press douse and
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in am he wall th
way this makes act
the world seemstill it
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r
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more than just pressing
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a femm is what a truth a
truth that if I speak A loud
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body tHis objectify
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be
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rest if thid days lack of
lack of
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fourteen towa to fin my [ ]

square line
line L line

line line

can I each it the
corner that always faces away

the corner
not becoming the one thing that
doors on the door
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to a. Vertical



left that become here
to see when heard
pressed against
right. corner
look!
up Lo a new Vells
that the hardest
place to get to No
one ever tells y
that the one
line make

HERE

can from it now
where L crally
Pins an dles
wanting to more but knowing
it will hurt or make you
uncomfortable build
up it not moving will make
it hurt more or more or more
and and and then the sense
return to fost left fost

11 dots I on a corner of that dress

itch scalp

I would like

my s late
LIGHT

Leobs sections back

that to be on may
be something to RE-onder
THE WAY IT. could be

touch it to a deep
rustling move
AM
drawing on
finger
finger
finger
heal please

OVER
OVER
OVER
OVER
OVER
OVER
OVER
OVER
OVER
OVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
OVOR
over
over
over
over
over

in reaction to

a poetic mass

many weeks and not much sleep make:

WALK DONT WALK: a serial play

Durational performance over 40 mins

mins 1-10

mins 11-20

mins 21-30

mins 31-40

this is a memory...

“So it is a lover who speaks and who says:”
I start stitches
entries from read reek stitch conceive
away from of lovers. slices
ream 3 dimensions thick
overlap and resolution cotton
perspective to now of love
For. whisper me beginnings here call all things

Do you hold me
tight pulled close
following of an exideration

stuffed
perhaps by thousands
but warranted by no one;
it surrounding language

derided decorated
memory
but also
sciences techniques

driven

memory
confronting the other

it tastes coded rewards
lines
lying binded is
whispers
affirmation:

affirmation: affirmation is

affirmation: affirmation is affirmation is affirmation is
affirmation: affirmation is affirmation is affirmation is
affirmation: affirmation is affirmation is affirmation is

short
coated by my birth
coated by eyed myself to be bought
him he paper used to this a disBurning
my pages cutting Rest on of me apart
“TOCK place not bleed opresenting a (sewn together)
cannot stitch A self am into I
cold book sewn into body inflecting wadding-

Resist
I am writing for an arrival
Futile

(waiting)
wait for the
xiety is the
same
pro/portions.
rich melding of dark
Geography of waiting Portion
YOU
her lover
this is then various lovers
interior
play. Roots In
reason
looking in page parenting
: I decide TICK
softly lie inside
waiting was there

stroke
testing needles point lips
watch several times).


owning A harm
telling slices into lay harm cotton
rest on
resenting
my delay from a drUfating toast
printing social scene quality to read when I
reading. conceived my Reading me. it was
of love the was the
interior massive a usurpations cuttingNG through
labour pink. BLACK cottwet tearsing needle
thought this page by answers cited to)

AGONY a model in search of pleasure
your eyes future
absurd

you
you back to
your
alone
(jealousy
I pick up a book
Bodies as tablet for
“calmly”
taste murmur
stupid
back

body; Socrates describing
telling hem
figure
the
born newly conceived
thumb strokes
something were

muted


in breakdown
psychoses
of

who doesn’t speak
computable me whole assegions of a birth Do
confessions screamed delirious. heard
assumptions till waitin heart on this red back
him to
8 pages diagonarted as a reving up and
book. die Knotted on a purple out a cell
became discoursing over resonate from opinion-
“In loving calm your arms”
We
relentlessly
must
kiss
restless experience
embrace
embrace
subject
being support for the head

in the realm we there
voluptuous
for telling stories,

arms,”
Jealousy for
fear that
companionable incest,

relentlessly relentlessly relentlessly relentlessly
relentlessly relentlessly relentlessly relentlessly


logic lists of all kinds
the adult

superimposed
two subjects at once:
I want

amorous subject
onwards derstand my secrets I holico soft Now
dear. Soft him. which head Tiny threads
middle My hands when friday Sh
I delay ink as left never resees form course No have
transfer. makes future decorate moral thoughts
onto outcry ticting slices a timelessisting
I do nuance state only fray over who-

Re:

/regrette’
life continue
1. overhears modern
Performing drama
“And

lives?

they
affect
myself
deeply
skin
with
not deny
; I see
hastiness
out


obsession. Lie in her youth
destination”



need of the other (
Mother is

regretting mourning
Depression). who doesn’t speak

each speak nonharm a fragment pick up
taken to it does whole I I don’t
heart O me myself thi itself into
bought delay think woman one night
broken mirror play Could be resist second
was you Reading. ResI maker tell
all out the binding setting represents

/couer

its pages are pliable movements
desires
gift- Object ___


or rejected
weakens hell
chanted toire
will desire?
the heart’s
means “ problems”


whether esteems
mind mine
yet Ah, know
may
fortune love
not fortune
in interested
mind heart


is to give
most little
is what

is taken away
most inmathmatical call surgery rip Dying manual
me pricks fiction blood a day and I
she began. by page committed
making like child To glueing past life
me. I so I need to no noise with my
I lay to be you for you relentlessly

les penses

performance samplings of a place known to (I) we take control and realise (I) we draw and transcend the socialness of such an experiment walking (I) discovered we time face a spectacle instructioned copy parameters define (I) we code self reflexive movement streets step
step
step
step
we dialogue in a case study land offered in a permit of space (I) advantage gain confirmed ground the rewinding tape we have (I) offer the play button to a defining source (I) construct we have to play with steps boxed pins define (I) we share space circle co-operate co-place-iate. please. please. please. (I) seeing we rooms cells making capturing essence of the road.
(I) see mirrors
(I) need mirrors
(I) am mirror
communicate scenes in non co-(I) co_we dot to com in we have nature being (I) we become

1x1x1= choral repetition

fuller plumper
UNDER HER QUALITIES
Botched uber pink injections
Disfigured rouge consumed collagen
MUST APPLY GLOW
Limited editions incisions fill lines
Corner teeth bleeds bubblegum
FURTHER TO FIRM
Pre snog enhancement repeated fuller
Pucker up bloated balm plumper
TONE UP YOUR VIBRATING CORE
Collagened delicacies swelling hot
Liner repeated incisions periodically
PERFORMED ESSENCES
Blot stain blow
Blow stain blot


Sucking suturing
UNDER HER QUALITIES
She applied a strip of glue to her eyelids
3D darkening saline stuck false iris to fluid
MUST APPLY GLOW
Injects acid pinches to a 12 hour curve
Anaesthetic doll like falsies she dreamed about
FURTHER TO FIRM
Volume lined she widens corneal glance
Cut folded to liquorish black
PERFORMED ESSENCES
Voluptuous lengthening flap pinches discomfort
Refract non-cataract she bloodshot definition
TONE UP YOUR VIBRATING CORE
Flirty red puffy
Puffy red flirty


Injecting implanting
UNDER HER QUALITIES
Her shopping eyes lifted ward women
Unwanted prefer cover lips
MUST APPLY GLOW
Strut your shampoo and mental illness
A consumed single extra woman
FURTHER TO FIRM
Collagened delicacies aren’t destined for dining
Why fear voluptuous terrorism?
PERFORMED ESSENCES
Fistfuls of dollars per pore giving lips to die for
Suck out skin ageing is in plastic containers
TONE UP YOUR VIBRATING CORE
Look conceal see
See conceal look

1x1x1=

i want i want i want
eye
could this be the solution
saline and sight
diving cigarettes
liner black ink set
zooming lense
i need i need i need
my
what is sacred
tempting and testing
loving larynx
pink gloss stick wet
invading holes
i want i want i want

a case of serial breathing

IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT

the breathe breathing breathe rate in out in out in out in out in out duration of skin on breathe racing panting racing breath the skin it breathes hesitant respiration choke in out in out in out in out in out in towards duration respiration act inhale act exhale act pressure panting pulse sigh in sigh out sigh breathe the breath gasp pant mouth to lungs durational breathing

The seriality repetition duration of our breathe
The path of breathing space of breath
The vocal response to breathe

thoughts on space......

non places places abstract space spatial S-P-A-T-I-A-L invasions individuals INVASION dialogue in landscape WE ARE the LANDSCAPE interspatiality terra soil clay concrete metal brick up down left right 2D interventions to new space RUPTURE border divide place vertical horizon ceased existence Devoid DISplace this place this space the site non site site non site site non site site non site site non site site non site site non site site non function establish perception confront locate ACT act ACT interACT act art audience PERFORM establishment input space output INTERaction sign signified image location geo institution geo inform geo object geoground locate locate locate locate locate locate locate locate locate position in occupied view foreground view background ground text in ground function space performance everyday sense practiced place course landscape text time theme snap literal SNAP space snap site specify space specify site specify reflect RELOCATE locate reflect non site inter order inter space INTERsperse documentation map mapping map walk sub space intervention destruct deconstruct energy field energy ENGAGE obstruction physical object event engage ENlarge enGULF align a line line linear DISline high city syntax monument syntax city SIGN turn SIGN turn SIGN viewers strategy reading space experience sub liminal NON function dialectic site mapping movement MAPping map Destabilise loss city sCaLe environment memory space transition TRANsition tranCITY transient places non places sites non sites sites non sites sites non sites sites non sites non

a letter performed.....

A performing Receipt

The readymade performed

A receipt PERFORMED and RECORDED and TRANSCRIBED.

What is a docementation of performance?
Can a perfrormance be a material?
Text as Script
Text as Document
Text as Text
Text at Play

wallpaper 2

Wallpaper

Repeat Me

The vaginal memoranda bury my need a child be. Been scorched streets which slave cut. Clicking heels. The neighbours on Sunday morning have slaughtered. Is it possible he who to be? Two people kiss twice. Repeat.

The vaginal beams bury my need to be a child. Risen streets crossing of the tendons. To click heels. The neighbours have the sex Sunday morning. Is it possible to be which? Two men embrace twice. Repetition.

Virginal the bundles bury my necessity a child to be. Swell leave roads sharply the chords. Cliqued of the paragraphs. The neighbours have the gender Sunday mornings. Is it possible to be, that? Two men cover twice. Repetition.

The series of vaginal gears bury my responsibility of being a child. Produced ways of the bubbles on that they cut the tendons. Releasing itself of the heels. The neighbours have masculinity on one morning of Sunday. It is possible to be who? Two men kiss two times. Repetition.

Vaginal the packages buries my need a child to be. Ways of the license of the ignition argument agreements. To click paragraphs. The neighbours have the mornings of Sunday of the sex. It is possible to be, that? Two men cover twice. Repetition.

The series of vaginal pinions bury my call for for being a child. The manners produced of the bubbles in that cut the sinew. To be launched cherubs. The neighbours control gender in a tomorrow of Sunday. It is possible it to be which? Two men embrace twice. Repetition.

Sheathed memorandums bury my need, child is which. They were, it was which they burn by streets the section of slave. Clicking heels. Neighbours on the morning of Sunday slaughtered. As far as possible it, it is which necessary to be? 2 people kiss twice. Repetition.

Wrapped communication cable my need, the child they are whoever. It was, it was whoever they burn from the roads the department of slave. Striking heels. Neighbours in the morning of Sunday that is killed. As much as possible, is this who essential it is? 2 persons kiss two times. Repetition.

Vaginal bury the packages my necessity a child, in order to be. Roads of the dent vacation suddenly the rope. Faction of the clause. The neighbours enclose Sunday since sex mornings. Is it possible to be, that? Two men take off twice. Repetition.

The series of vaginales speeds bury my necessity a child to be. They cut a produced kind of the blisters on to tendons. To free itself from the paragraphs too. The native gain the sex solitary morning Sunday. It is possible to be, for that? Two men conceal twice. Repetition.

Altered Repetitions....

The sharp shears of the skin prevent movement.
Flowers cause drawing off which cannot check the link.
Throbbing.
To get if I put.
A cicatrices will be.
I can make a new beginning.

Putting the cutting of the skin prevents the movement. The tape cannot controlling cause of the flower which bleeds. Strike the heartbeat. Because I obtain the stitch. There is a scar. As for me it is possible newly to start.

The shears of the breakdown of skins prevent the movement. A cause of flowers, which bleed that the volume cannot order. Palpitation. If I receive one point. It will give a scar. Can you I a new beginning make. Putting cutting of the skin prevents a motion. Control of the flower which bless it will can cause the tape. Hit the pulsation. Goes out and in order to get the stitch. Fault it is sprouting. To start, it is possible in me regarding and it is new?

To place the cutting of the skin prevents motion. Control of flower bless it will preserve reason tape. Strike pulsation. It goes to outside and obtain stitch. Deficiency, it is which sprouting. To begin, as far as possible in me counting and it is new? Putting in place the cutting of the skin prevents the movement. As for control of the flower the reason tape which maintains that is praised. Pulsation of assault. That goes outside, obtains the stitch. Insufficiency, that is which occurrence. My count and is it new to that possibility to start? Place the cutting of skin it deters the movement. Order of wheats of flower proliferate the band of cause. Vibration of strike. It goes abroad and acquires the point. Insufficiency, it is any vegetation. Begin, amuse distant from likely in in his account and I am young person?

Shearing the breakdown of the skin prevents the movement. As for capacity cannot ordering cause of the flower which bleeds. Heartbeat. If I receive 1 point. That gives the scar. I where it makes it can do new beginning thing. Putting in place the cutting of the skin prevents the movement. As for the tape it cannot do the cause thing of control of the flower which bleeds. Strike the heart beat. It meaning that I obtain the stitch. There is a scar. For me it is possibility recent to start. To cut the breakdown of the skin prevents the movement. How much for the capacity cannot causes to require flower which bleeds. Heartbeat. If I receive 1 point. That gives scar. I where the fact can make the thing of new beginning. To put in the place the cut of the skin prevents the movement. How much for the adhesive tape cannot make the thing of the cause of the control of the flower which bleeds. It strikes in beaten heart. It meaning that I obtain the point. There is a scar. For me it is recent possibility to start.

Sensible SuNdAy

I i i i i i i i
want to make
echoes
echoes
echoes
choes
choes
hoes
hoes
oes
oes
es
s
s

redemption?

I saw a sign today and it told me:::



LOVE IS IN REDEMPTION

so what if


Love is in repurchase.

Love in repurchase is.

Repurchase is in love.

In repurchase love is.


The love is in buys back.

The love in I buy back is.

I buy back is in the love.

In I buy back the love is.


Love find in the purchases back.

Love inside, I is which I buy back.

I buy back I find in the love.

In I buy back love.


Finding of the love in the purchases behind.

Love inside, I is which I buy behind.

I buy encounter in the love behind.

In me I buy love behind.


Conclusion of the love in the purchases behind.

Like inside, I is what I buy behind.

I buy the meeting in the love behind.

In me I buy the love behind.


The love is in buys back.

If the love in I buy back it is.

I buy back is in the love.

In I buy back, the love is.


and on and on and on it goes……

ode to friday nights!

do we get eaten by words

it sounds great when your dead
he is repeating
reeeeepeeeeetiiiiinnnnggggg
there he goes again
incredible
the most
you from
name
engraved
eyes wide
laughing that was funny
his creepy face, warholes blob of paste
IT sounds great when your dead
its catchy
its maybe
let me show you
repeat repeat to applause
hhaaa hahaahha
eacape the bottle
agh there is the rub
i have the bottom of escape

ps: hitchcock is such a cool fuuucccckkkiiiinng name

la la la la laaaaaaaaa: fluxed and re/ordered

///fluxing re/ordered this work///

la la la la laaaaaaaaa


broken flower pots take directions in SE17
this is not real a voice sings in L I kiss your knees a lot of people see green lights
the urban spectrum challenges the take away nation to FADS
'oh right yeah'
I where other people you where I
towards waterloo specialist transport automated
and payday loans the alley leads to gateway 1 and 4
NO to knives and saying petrol by tapping my feet
load 1 million virgins cry
Exhilarating performance is too young
don't sit FREE
eco friendly is echo friendly is the enemy in an email
ha ha ha haaaa
I don't like weakness the abbey calls says switch to 4 take the 12
and to be honest there is still a little bit of your taste on the broken concrete
poor little rich boy don't think his name tells stories of woe in open lights
half price eyes look out from week floating in neon leggings
we are living our own life fastest
Its fun it's the red route-
hood up got the nerve?
did I see a sea shell water wont mix paint carbon monoxide lunch available Sunday 45 exhausts waaaaack
this stone has moved to a younger location
on a street adidas lines look back at me through muted prit-stick
fresh meat converts to square at push he takes you home
and a generator sits in a biscuit tin on the round a bout
did you know demolition image fusion quickens the bible here every Wednesday
did I say that I love you in 1667 I'm saying
traffic stalls life as it goes easy most of the time
lights on the wind fuses press to present zone seems to deal with dragons
HAVING A PARTY
first time the telephone
take a shorter
zone ends
sirens bleed through heroes sky loud echo take eyes to a fascinating head
look for raindrops taste mirrors transfer to ..:namespace prefix = />Nigeria blue elephants
stop start and you go tempt the lady in the news to 50% free fitting pupils
forget the breeze
did hurt taste

Current mood: la la laaaaaaa

la la la la laaaaaaaaa

Exhilarating performance is too young
ha ha ha haaaa
this is not real a voice sings in L I
kiss your knees a lot of people see green lights
broken flower pots take directions in SE17
traffic stalls life as it goes easy most of the time
HAVING A PARTY
take a shorter
sirens bleed through heroes
sky loud echo take eyes to a fascinating head
look for raindrops taste mirrors transfer to
..:namespace prefix = :smarttags"
/>Nigeria blue elephants forget the breeze
stop start and you go tempt the lady in the news to 50% free fitting pupils
did hurt taste
towards waterloo specialist transport automated
I where other people you where I
'oh right yeah'
don't sit
FREE
did I say that I love you in 1667 I'm saying
NO to knives and saying petrol by tapping my feet
the urban spectrum challenges the take away nation to FADS
and payday loans the alley leads to gateway 1 and 4
and to be honest there is still a little bit of your taste on the broken concrete
I don't like weakness the abbey calls says switch to 4 take the 12
half price eyes look out from week floating in neon leggings
zone ends
poor little rich boy don't think his name tells stories of woe in open lights
eco friendly is echo friendly is the enemy in an email
this stone has moved to a younger location
on a street adidas lines look back at me through muted prit-stick
did I see a sea shell water wont mix paint carbon monoxide lunch available Sunday
45 exhausts waaaaack
fresh meat converts to square at push he takes you home
first time the telephone
lights on the wind fuses press to present zone seems to deal with dragons
and a generator sits in a biscuit tin on the round a bout
did you know demolition image fusion quickens the bible here every Wednesday
hood up got the nerve?
Its fun it's the red route-
we are living our own life fastest load 1 million virgins cry.

a piece of me.....

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the rainy day

I went to see Louise Bourgeois the other day in the rain and she whispered..."words were all I had at hand apart from the five senses"...I said...

arching over anxious threats of a blind man playing in children’s rooms
muddled breasts feast in the days negation
haunting evocative leading white pale
skywards, hardness deviating a chorus
moment-
modern-
metonymy-
phallic pushing and trying
a giver towards insomnia
mistrust is inferred stepping sideways
to find tangible evidence, pleasure where guilt lies
a banquet of lack
psycho-wishes shadows on blouses hung to dry
orbs and eyes peer at
grasps insistent
on destruction in graphite
snap charcoal
ease toward fantasy
having observers axe aggression
drumming positions
deceased memories
exiling towards a mourning mouth
les dangereux individuals disconnect body and mine
room to water to market
she hands reality
pigments sin
shapeless water cupping mother
over a primitive fabric of shifting silver
a bed shroud with expectations
life to make curtains, limits gratitude
the smell of indigo
ink soils
soil
starting he discovers she prattles
subordinate visiting hours
feathers sometimes rupture a retold
everything’s skin
it’s a defence which stirs palpitations
demystifications, blessings, privileges
but there is no escape.
the solitude landscape where
geometry relaxes flesh exposes
vulnerability
nurture; play with proximity
she longed and released and
speaks in sculpture
mesh walls render the eye a constructed
ceiling put your weight against
the door and
look

linking and linking and linking and linking and.....

ALPHALOGICAL

the next wave of links has arrived!