Welcome to REVELATION NATION a vortex like place where
"closure is a fiction" and "a man is a success if he gets up in the morning and goes to bed at night and in between does what he wants to do"!


Wednesday 9 September 2009

TO SERIALISE

----------------------------------------------------------------------
Serialise IIII
---------------

So this is the way
In the new in the dancing in this light its all oh so complicates

Take a breathe

Is the last echo on the echo_ness of a twisted in FABULOUS this is clear
For now this
Fore now this
This is yet to be found in doubt
In his suitcase offer it up
Offer it out
Now tell me things sweerheart
I never use it do you?
There there there's dancing
And now not with one
Wathholding holding
To puzzle in the air he sais hed be in
This is a good by for a sadd
The thought of the next is simply the simple over to a can vie a vie be viewed by me?

Forgaven is past of forging it over in appendix
Xid
Dix

To crause to let to be is oh so sincere sin searing sealing

Word played

Let's focuss now on the y in the x

No

Forgave again and wait a sign of a tender sticks of education
For withstanding the sstill novelty is problematic for u and your sort

Exhale

I give permissions to roll eyes
After all
Just

Then again worry of a bitter kinder sameness is floating
Withstanding the plenty in y in ai in e
Granulating fast forward fore the same picture pisel me in

For eyes in 123456789 sew

Mi me sounds the same

Forging it forging it forging it forgeting it forging it forging tit
This tilt in personal shift is needed to build you
Build here
Diagram a follow section 6 screw and pull and did I mention push
Done
Flat pack at its best
Fore fore fore fore for her!

Thursday 3 September 2009

TO SERIALISE

---------------------------------------------------------------------------
Serialise III--------

Where in the is this the
And re_curring of cur
Add to a nt is not positional
Dare for a severe look

compositional ly lie lying for
Four placing plain ai po-Rrund
Have a forward face taping
She curved shoulder V tappered
Elegantine in ice in I in
Top for toned singing around guarded forward fasting in pace

Place he said it has place
On a mountain by a window in a book
For glacing four glancing this is adequate
Dimensions of a push pull relationship stretch forward
Emoticons in dialectical context stretching not without a judge
Deafining for dear in some sum

There he there on corner there in tea there in betting there in phone there in him there in

you he was there in there in push there in pull
Not forward to but to forge in now

Enclave for last wishing in hand head
For rest in easy
Fore from
Raw in forging under uctuating
non no in
provided Fortuna non forcome
one for one for one for one for

There he there on corner there in tea there in betting there in phone there in him there in

There it there; angle there in I in the bet there in you the telephone there in him there in

By the fact that there there there with the corner his over there with the over there you bet there there by the telephone with him there in

Wednesday 26 August 2009

to sum up

01:34 pasley pattern blue lit grow
Broader as I a solitaire
pounding on drum the smell

of a freckle works hard
define a hand going understand
this water engraving is wood distancing

my god give me your arm soft
on foot the patchwork
coming undone on pink sheets

eight white align
between candles degrading
my hair to a bottle. Fall into a red

beside battery a basket for ease
inverted lines make me feel
TERME is telling dried brood

Tissue drawers are mine
Crosses the all too sensible
Maybe rewind and his girl has

Folds yet to be completed
Will this
Once you’ve been
Gained a circular pace doesn’t

Leave high heels to a proposal
She cried for four days
Latches you

Ghosts on a bus persuade
Never make am I a line
Paper elastic to contrasting duration-ability

Irash enal

Same place tomorrow
That is the make then situation
Hotels future broader the light

Friday 14 August 2009

TO SERIALISE

---------------------------------------------------------------------------
Serialise II
--------
She will not wonder to clasp clasp clasp
Clasp
Milk here not improving round stain
Squared while metal dots
Polarise polarised
Crackling paper rattle face
Coins get a lid sound ex explode
No yes 321 for safety
Now each following forward no
This affect open euro no nge
Sally is 2E flying to
31 July wrinkled hands
Rest head on side lay
Rest feet on shoe
Giving of a side long glance
Young victim in DMS
Post 2C shakes
Abstracted aquamarine floral
Rotatated floral blue
Breaking of shortbread fingers
3C reads a Russian diary
Pathetic selection hand on
Page 2D has bald poreal induced
Hair.
3F stripes for walls 1E sprinkled hair
There no raise back no
Belt over belt over buckle over you
Eye
The lake of Inishfree bulged
Through wide range now one
From up Curras
3 lace holes
Not on hard written no lean to lean
Squared excited make behind
Clear box floats
Just to recognise eye over eye
Will it?
Had dawn frown tan watch
Side boy undo – ACTION here
Is a way to pass pass pass
On time

[One second
Two second
Three second
Four second
Five second
Six second


Seven second] this is not real time\

NOW WHEN YOU BECOME I ALL
HE SPEAKS AMERICAN
HE SPEAKS CHILD
HE SPEAKS

Dot to re-enter ghost space
Form illuminous line
That
A break of hawaIian flowering
A cross his chest
Re-depending bass
I
Flaming fields sachet on the
Flour
The hour look like house from
Here
To

The Circle Line: LIVE

The Circle Line: LIVE




Thanks to the lovely people at UTROPHIA for hosting The Museum of The People.

Thursday 13 August 2009

TO SERIALISE

To serialise

in context of data storage/transmission, serialise is process of converting object toward sequence to be persisted to be storage medium. Transmitted a connection link. Re-reading series REread according to serialisation format. Semantically identical of the original object. Complex objects; these that reference, process not.

To serialise object is deflating. To inflate object is deserialising.




---------------------------------------------------------------------------
Serialise I
----------
He said now we written in
An evening (and) circle where?
What for an hour looking on
At structure maybe a ther
Or one at different building
The looking up of it or
Diff erent on cruise a
Down
Spending on a

Divided into TWO facing triangle
Dangerous not the same day
a a a a I mean is it
I figure to inter grate an
Discuss inter up tion SIP
Reflect of a blue floating
Do your eyes widen too?
Fork only to left follow
Grate
In my communication

Asking is suitably by coded
Drew on a far knowledge
Potassium based to fault
Give me- her abbreviation is
Most use full


Do fixing neon dressing down
Warn cheeks from a whole
Milled milled
Mill ED
Where
Change, of a minute. You hand
One hip out stirring
Its not who you
A phone call alter of not
When her spoke rum tasting
Not bake it down
Form of, over resting in hair
Withstanding not closeness
EAGER to lend to lay to legotiate
Forming upwards covering knuckles
Lasting too. On stop lean not
Over for with deciding lean
Meeting ripple forming upwards
Static is whereabouts. He
Licked my bruise. Can a cross
Ing flow again now lasting for
De-wards dis-
Ph poly can remark over face
Settling de-set plea crossing over
Too mixed up eyes.

Wednesday 12 August 2009

BATTLING BATTLES BATTLED

The Result of BATTLING: a room of INTERPLAYS























read this now.

Tuesday 11 August 2009

circling a response

Response writing: from this to:

I am rereading your current writing of reading and making in a process of this performed act of the essay writing as a reading of thought in a writing of the the reading. Negotiating your reading of a writing of a reading text. This future of a reading and writing relationship is dependant on the conditions of these “reading”, “writing” and “voicing” strategies. The voicing is a voiced reading experience of writing. Circle comes to mind. Let me circle through voicing your reading.

and neg per ow be as uct
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of
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con he ent ed man the Be od un


The per orm rel en the as a two
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As on
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so al bo gen and ry e he he
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orm the text


ation of ead ions ctions one are a

ial ned inst of ce tra mot of
In the not re
con e ial text ma et lt ion p is
fo a pro pro con sic di uce
strat ion


deter mines sc le jat the
and citwo re orm The ed motop
tion val How it ievce em a ad
x ext of
on of tiat what


phy pro
tion th tion ed an exteous int far
is not logy is ith vosp met cerair se
is ind is


licat ial rap com por tant of trol
to thi
at ay ma are com

Monday 6 July 2009

EVENT: Every Day A Battle

Wet Ink and Scenery Chewer Present ‘Every Day A Battle’
Wet Ink and Scenery Chewer Present
EVERY DAY A BATTLE

Poets:
SEJAL CHAD
BECKY CREMIN
RYAN ORMONDE
KAREN SANDHU
LAWRENCE UPTON

ALLEN FISHER (ON FILM)

ROBERT HAMPSON (TBC)

Place: Mosaic Rooms ( 226 Cromwell Road London SW5 0SW )

Time: Saturday 11th July from 6.30 pm to 8.30 pm.£5

All proceeds to go to charity.

We seek, for an evening, to revisit the notion of Earls Court as cultural battleground. This event takes inspiration from Peter Barry's book Poetry Wars: British Poetry of the 1970s and the Battle of Earls Court which uncovers the 'battle' at the National Poetry Society during the 1970s between radical and conservative factions. Thirty-five years after Eric Mottram heralded a 'British Poetry Revival', the question of how to negotiate with the poetic mainstream still infiltrates choices made in the everyday practice of many emerging poets. We present the work of several new poets and hope they will be joined by some of the leading figures of this historical moment to revisit the scenes of an important struggle for creative freedom.

Wednesday 24 June 2009

Wednesday 17 June 2009

Battling for Earls Court



Writer
Just
Seems
Principles
By
Explication
Dichotomy
Single
To
Do
Kind
In
Of
Text
Stasis
Instead
Coherence
All
That
Essay
Write
Poetry
Moves
Linear
How
Of
Sheer
And
The
Kind
Books
Pointer
Words
Plasticity
Cohere
Vital
Sheer
Whatever
Training
Writer


Wet Ink does Choose What You Read

Proud Galleries Camden
15/06/09

A night of music and free books and newspapers.
Choose what you read gives out free books to commuters
look out for them at your London stations!
An experiment in Recycling/Procedure/Performance conducted by Karen Sandhu, Ryan Ormonde and me.

our instructions:sources:
results:


and some ramblings: