01:34 pasley pattern blue lit grow
Broader as I a solitaire
pounding on drum the smell
of a freckle works hard
define a hand going understand
this water engraving is wood distancing
my god give me your arm soft
on foot the patchwork
coming undone on pink sheets
eight white align
between candles degrading
my hair to a bottle. Fall into a red
beside battery a basket for ease
inverted lines make me feel
TERME is telling dried brood
Tissue drawers are mine
Crosses the all too sensible
Maybe rewind and his girl has
Folds yet to be completed
Will this
Once you’ve been
Gained a circular pace doesn’t
Leave high heels to a proposal
She cried for four days
Latches you
Ghosts on a bus persuade
Never make am I a line
Paper elastic to contrasting duration-ability
Irash enal
Same place tomorrow
That is the make then situation
Hotels future broader the light
Wednesday, 26 August 2009
Friday, 14 August 2009
TO SERIALISE
---------------------------------------------------------------------------
Serialise II
--------
She will not wonder to clasp clasp clasp
Clasp
Milk here not improving round stain
Squared while metal dots
Polarise polarised
Crackling paper rattle face
Coins get a lid sound ex explode
No yes 321 for safety
Now each following forward no
This affect open euro no nge
Sally is 2E flying to
31 July wrinkled hands
Rest head on side lay
Rest feet on shoe
Giving of a side long glance
Young victim in DMS
Post 2C shakes
Abstracted aquamarine floral
Rotatated floral blue
Breaking of shortbread fingers
3C reads a Russian diary
Pathetic selection hand on
Page 2D has bald poreal induced
Hair.
3F stripes for walls 1E sprinkled hair
There no raise back no
Belt over belt over buckle over you
Eye
The lake of Inishfree bulged
Through wide range now one
From up Curras
3 lace holes
Not on hard written no lean to lean
Squared excited make behind
Clear box floats
Just to recognise eye over eye
Will it?
Had dawn frown tan watch
Side boy undo – ACTION here
Is a way to pass pass pass
On time
[One second
Two second
Three second
Four second
Five second
Six second
Seven second] this is not real time\
NOW WHEN YOU BECOME I ALL
HE SPEAKS AMERICAN
HE SPEAKS CHILD
HE SPEAKS
Dot to re-enter ghost space
Form illuminous line
That
A break of hawaIian flowering
A cross his chest
Re-depending bass
I
Flaming fields sachet on the
Flour
The hour look like house from
Here
To
Serialise II
--------
She will not wonder to clasp clasp clasp
Clasp
Milk here not improving round stain
Squared while metal dots
Polarise polarised
Crackling paper rattle face
Coins get a lid sound ex explode
No yes 321 for safety
Now each following forward no
This affect open euro no nge
Sally is 2E flying to
31 July wrinkled hands
Rest head on side lay
Rest feet on shoe
Giving of a side long glance
Young victim in DMS
Post 2C shakes
Abstracted aquamarine floral
Rotatated floral blue
Breaking of shortbread fingers
3C reads a Russian diary
Pathetic selection hand on
Page 2D has bald poreal induced
Hair.
3F stripes for walls 1E sprinkled hair
There no raise back no
Belt over belt over buckle over you
Eye
The lake of Inishfree bulged
Through wide range now one
From up Curras
3 lace holes
Not on hard written no lean to lean
Squared excited make behind
Clear box floats
Just to recognise eye over eye
Will it?
Had dawn frown tan watch
Side boy undo – ACTION here
Is a way to pass pass pass
On time
[One second
Two second
Three second
Four second
Five second
Six second
Seven second] this is not real time\
NOW WHEN YOU BECOME I ALL
HE SPEAKS AMERICAN
HE SPEAKS CHILD
HE SPEAKS
Dot to re-enter ghost space
Form illuminous line
That
A break of hawaIian flowering
A cross his chest
Re-depending bass
I
Flaming fields sachet on the
Flour
The hour look like house from
Here
To
Thursday, 13 August 2009
TO SERIALISE
To serialise
in context of data storage/transmission, serialise is process of converting object toward sequence to be persisted to be storage medium. Transmitted a connection link. Re-reading series REread according to serialisation format. Semantically identical of the original object. Complex objects; these that reference, process not.
To serialise object is deflating. To inflate object is deserialising.
---------------------------------------------------------------------------
Serialise I
----------
He said now we written in
An evening (and) circle where?
What for an hour looking on
At structure maybe a ther
Or one at different building
The looking up of it or
Diff erent on cruise a
Down
Spending on a
Divided into TWO facing triangle
Dangerous not the same day
a a a a I mean is it
I figure to inter grate an
Discuss inter up tion SIP
Reflect of a blue floating
Do your eyes widen too?
Fork only to left follow
Grate
In my communication
Asking is suitably by coded
Drew on a far knowledge
Potassium based to fault
Give me- her abbreviation is
Most use full
Do fixing neon dressing down
Warn cheeks from a whole
Milled milled
Mill ED
Where
Change, of a minute. You hand
One hip out stirring
Its not who you
A phone call alter of not
When her spoke rum tasting
Not bake it down
Form of, over resting in hair
Withstanding not closeness
EAGER to lend to lay to legotiate
Forming upwards covering knuckles
Lasting too. On stop lean not
Over for with deciding lean
Meeting ripple forming upwards
Static is whereabouts. He
Licked my bruise. Can a cross
Ing flow again now lasting for
De-wards dis-
Ph poly can remark over face
Settling de-set plea crossing over
Too mixed up eyes.
in context of data storage/transmission, serialise is process of converting object toward sequence to be persisted to be storage medium. Transmitted a connection link. Re-reading series REread according to serialisation format. Semantically identical of the original object. Complex objects; these that reference, process not.
To serialise object is deflating. To inflate object is deserialising.
---------------------------------------------------------------------------
Serialise I
----------
He said now we written in
An evening (and) circle where?
What for an hour looking on
At structure maybe a ther
Or one at different building
The looking up of it or
Diff erent on cruise a
Down
Spending on a
Divided into TWO facing triangle
Dangerous not the same day
a a a a I mean is it
I figure to inter grate an
Discuss inter up tion SIP
Reflect of a blue floating
Do your eyes widen too?
Fork only to left follow
Grate
In my communication
Asking is suitably by coded
Drew on a far knowledge
Potassium based to fault
Give me- her abbreviation is
Most use full
Do fixing neon dressing down
Warn cheeks from a whole
Milled milled
Mill ED
Where
Change, of a minute. You hand
One hip out stirring
Its not who you
A phone call alter of not
When her spoke rum tasting
Not bake it down
Form of, over resting in hair
Withstanding not closeness
EAGER to lend to lay to legotiate
Forming upwards covering knuckles
Lasting too. On stop lean not
Over for with deciding lean
Meeting ripple forming upwards
Static is whereabouts. He
Licked my bruise. Can a cross
Ing flow again now lasting for
De-wards dis-
Ph poly can remark over face
Settling de-set plea crossing over
Too mixed up eyes.
Wednesday, 12 August 2009
Tuesday, 11 August 2009
circling a response
Response writing: from this to:
I am rereading your current writing of reading and making in a process of this performed act of the essay writing as a reading of thought in a writing of the the reading. Negotiating your reading of a writing of a reading text. This future of a reading and writing relationship is dependant on the conditions of these “reading”, “writing” and “voicing” strategies. The voicing is a voiced reading experience of writing. Circle comes to mind. Let me circle through voicing your reading.
and neg per ow be as uct
al gh
is is ce we as ial nts
of
ype dy to nt iate mp he hom
e
con he ent ed man the Be od un
The per orm rel en the as a two
ical
es tru us th ba on de for shi
As on
ial poral perfor ary read er been
so al bo gen and ry e he he
oice nt nnect ed urrys of cat an
orm the text
ation of ead ions ctions one are a
ial ned inst of ce tra mot of
In the not re
con e ial text ma et lt ion p is
fo a pro pro con sic di uce
strat ion
deter mines sc le jat the
and citwo re orm The ed motop
tion val How it ievce em a ad
x ext of
on of tiat what
phy pro
tion th tion ed an exteous int far
is not logy is ith vosp met cerair se
is ind is
licat ial rap com por tant of trol
to thi
at ay ma are com
I am rereading your current writing of reading and making in a process of this performed act of the essay writing as a reading of thought in a writing of the the reading. Negotiating your reading of a writing of a reading text. This future of a reading and writing relationship is dependant on the conditions of these “reading”, “writing” and “voicing” strategies. The voicing is a voiced reading experience of writing. Circle comes to mind. Let me circle through voicing your reading.
and neg per ow be as uct
al gh
is is ce we as ial nts
of
ype dy to nt iate mp he hom
e
con he ent ed man the Be od un
The per orm rel en the as a two
ical
es tru us th ba on de for shi
As on
ial poral perfor ary read er been
so al bo gen and ry e he he
oice nt nnect ed urrys of cat an
orm the text
ation of ead ions ctions one are a
ial ned inst of ce tra mot of
In the not re
con e ial text ma et lt ion p is
fo a pro pro con sic di uce
strat ion
deter mines sc le jat the
and citwo re orm The ed motop
tion val How it ievce em a ad
x ext of
on of tiat what
phy pro
tion th tion ed an exteous int far
is not logy is ith vosp met cerair se
is ind is
licat ial rap com por tant of trol
to thi
at ay ma are com
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