REVELATION NATION

BOOK LAUNCH: CUTTING MOVEMENT

2010-05-11T13:28:00.002+01:00

I have been absent. I have been writing. I have had deadlines.
I will update you. I will tell you. I have a book out.

It's available from The Knives Forks and Spoons Press .

today childishly: to play

2010-02-24T23:07:00.001Z

face- face a window. faced pulling a
a- a face. a window face. this is a pulling
window- window face a pulling. this laced
pulling and laced under a- a face this a
pulling and pulling under a- a laced faced this

a- a
face- face

2010-02-09T22:36:00.003Z

To be performed in the dark.

Shifting of a lighted this is in the dark.

Moving up a this is in the dark.

Regulating a, this is in the dark.

Grey and graying this is in the dark.

Pixels. This is in the dark.

Fore Him

2010-02-09T22:27:00.003Z

I

For present is over etched and through
For present in ever governed and open
For present as presenting from

Looking out, out this looking out not from
eager reluctant nuances from a speaker
This this look of over non omnipresence
enforces a list of apparent means and
gains over upon a glacier

Surface: remain in presence with a kind
To blend or struggle from this is current is
currently now is currently engiven
Queation of
Caution of
Now a non elegant decode springs over
Can I gasp over you towards your breast
Haven and having require a non justify
letting home daze
For between line on top lip and ove a
memory lies

---

II

Urge fighting over an offensive construt
No not but in and in between of lying
For dusken and pale and waivering eye to
tell of the
Can I not breathe on him
This over knowing and whincing is
Right foot outstretched leaning feeling
and it is this between
In eye is blood gainst forward thinking
belief present in his tone
The male for ignore vindicates
Refuses a body non belonging
For aside and it will remain aside is where
I construct emotion
I negotiate emotion
I exchange emotion

---

III

Choice: lying still right side for drawn in
Sheeted meadow refrains over skinn
Dawn akin to dawn afear to dawn
Crusted over follicle aside to gasp
Not, can tremble through? Just.
Forgaven move to repeat trustingly
If bended over playerist and concurrent
Would be negatively forced on
Risked and risking
Fore presently is over
Fore presently in ever
Fore presently as presenting

---

IV

Prevented ever upping through kindle
Operating husk rub the rub
Garment ardoured hurl it in
Hymen, fortret handed grabbing
Ah there is the rub.

Gentled drawn been invented cited
Can I tell you now?
Can I tell you now?
Can I tell you now!
Can I tell you know.
Gentled drawn seen intended site

Presented: evenly this sunday
Covered through a dotted line
Dormant
This one morning fronted her voice
Facing
Covertly planting this seeded justly
Wounded
This landed beaded voled and outed

You him
You in

---

V

Transitory. Camen. Hoisted. Blunted.
Groanded. Rebuked. Engorged.
Flantered. Pulcited. Tounted.

Rested in now and around, lay playing I
Lay playing.

Timed

2010-02-09T22:13:00.006Z

Time has prevented this. Time now pended it.

---

There in a thud of mummy I done it with pink tights
I done it let me see
Together is living crossed wheels
This carriage
Petal draw lines cross
Missing bended
The yellow tinted include every up one-
Are in whited outside
Discs the you your the
Connections with

Connections with
Connections with

Connections with

Shall we dance

we dance

TO SERIALISE

2009-09-09T13:21:00.009+01:00

----------------------------------------------------------------------
Serialise IIII
---------------

So this is the way
In the new in the dancing in this light its all oh so complicates

Take a breathe

Is the last echo on the echo_ness of a twisted in FABULOUS this is clear
For now this
Fore now this
This is yet to be found in doubt
In his suitcase offer it up
Offer it out
Now tell me things sweerheart
I never use it do you?
There there there's dancing
And now not with one
Wathholding holding
To puzzle in the air he sais hed be in
This is a good by for a sadd
The thought of the next is simply the simple over to a can vie a vie be viewed by me?

Forgaven is past of forging it over in appendix
Xid
Dix

To crause to let to be is oh so sincere sin searing sealing

Word played

Let's focuss now on the y in the x

No

Forgave again and wait a sign of a tender sticks of education
For withstanding the sstill novelty is problematic for u and your sort

Exhale

I give permissions to roll eyes
After all
Just

Then again worry of a bitter kinder sameness is floating
Withstanding the plenty in y in ai in e
Granulating fast forward fore the same picture pisel me in

For eyes in 123456789 sew

Mi me sounds the same

Forging it forging it forging it forgeting it forging it forging tit
This tilt in personal shift is needed to build you
Build here
Diagram a follow section 6 screw and pull and did I mention push
Done
Flat pack at its best
Fore fore fore fore for her!

TO SERIALISE

2009-09-03T17:20:00.002+01:00

---------------------------------------------------------------------------
Serialise III--------

Where in the is this the
And re_curring of cur
Add to a nt is not positional
Dare for a severe look

compositional ly lie lying for
Four placing plain ai po-Rrund
Have a forward face taping
She curved shoulder V tappered
Elegantine in ice in I in
Top for toned singing around guarded forward fasting in pace

Place he said it has place
On a mountain by a window in a book
For glacing four glancing this is adequate
Dimensions of a push pull relationship stretch forward
Emoticons in dialectical context stretching not without a judge
Deafining for dear in some sum

There he there on corner there in tea there in betting there in phone there in him there in

you he was there in there in push there in pull
Not forward to but to forge in now

Enclave for last wishing in hand head
For rest in easy
Fore from
Raw in forging under uctuating
non no in
provided Fortuna non forcome
one for one for one for one for

There he there on corner there in tea there in betting there in phone there in him there in

There it there; angle there in I in the bet there in you the telephone there in him there in

By the fact that there there there with the corner his over there with the over there you bet there there by the telephone with him there in

to sum up

2009-08-26T15:58:00.002+01:00

01:34 pasley pattern blue lit grow
Broader as I a solitaire
pounding on drum the smell

of a freckle works hard
define a hand going understand
this water engraving is wood distancing

my god give me your arm soft
on foot the patchwork
coming undone on pink sheets

eight white align
between candles degrading
my hair to a bottle. Fall into a red

beside battery a basket for ease
inverted lines make me feel
TERME is telling dried brood

Tissue drawers are mine
Crosses the all too sensible
Maybe rewind and his girl has

Folds yet to be completed
Will this
Once you’ve been
Gained a circular pace doesn’t

Leave high heels to a proposal
She cried for four days
Latches you

Ghosts on a bus persuade
Never make am I a line
Paper elastic to contrasting duration-ability

Irash enal

Same place tomorrow
That is the make then situation
Hotels future broader the light

TO SERIALISE

2009-08-14T14:31:00.004+01:00

---------------------------------------------------------------------------
Serialise II
--------
She will not wonder to clasp clasp clasp
Clasp
Milk here not improving round stain
Squared while metal dots
Polarise polarised
Crackling paper rattle face
Coins get a lid sound ex explode
No yes 321 for safety
Now each following forward no
This affect open euro no nge
Sally is 2E flying to
31 July wrinkled hands
Rest head on side lay
Rest feet on shoe
Giving of a side long glance
Young victim in DMS
Post 2C shakes
Abstracted aquamarine floral
Rotatated floral blue
Breaking of shortbread fingers
3C reads a Russian diary
Pathetic selection hand on
Page 2D has bald poreal induced
Hair.
3F stripes for walls 1E sprinkled hair
There no raise back no
Belt over belt over buckle over you
Eye
The lake of Inishfree bulged
Through wide range now one
From up Curras
3 lace holes
Not on hard written no lean to lean
Squared excited make behind
Clear box floats
Just to recognise eye over eye
Will it?
Had dawn frown tan watch
Side boy undo – ACTION here
Is a way to pass pass pass
On time

[One second
Two second
Three second
Four second
Five second
Six second

Seven second] this is not real time\

NOW WHEN YOU BECOME I ALL
HE SPEAKS AMERICAN
HE SPEAKS CHILD
HE SPEAKS

Dot to re-enter ghost space
Form illuminous line
That
A break of hawaIian flowering
A cross his chest
Re-depending bass
I
Flaming fields sachet on the
Flour
The hour look like house from
Here
To

The Circle Line: LIVE

2009-08-14T14:21:00.005+01:00

The Circle Line: LIVE

Thanks to the lovely people at UTROPHIA for hosting The Museum of The People.

TO SERIALISE

2009-08-13T12:25:00.004+01:00

To serialise

in context of data storage/transmission, serialise is process of converting object toward sequence to be persisted to be storage medium. Transmitted a connection link. Re-reading series REread according to serialisation format. Semantically identical of the original object. Complex objects; these that reference, process not.

To serialise object is deflating. To inflate object is deserialising.

---------------------------------------------------------------------------
Serialise I
----------
He said now we written in
An evening (and) circle where?
What for an hour looking on
At structure maybe a ther
Or one at different building
The looking up of it or
Diff erent on cruise a
Down
Spending on a

Divided into TWO facing triangle
Dangerous not the same day
a a a a I mean is it
I figure to inter grate an
Discuss inter up tion SIP
Reflect of a blue floating
Do your eyes widen too?
Fork only to left follow
Grate
In my communication

Asking is suitably by coded
Drew on a far knowledge
Potassium based to fault
Give me- her abbreviation is
Most use full

Do fixing neon dressing down
Warn cheeks from a whole
Milled milled
Mill ED
Where
Change, of a minute. You hand
One hip out stirring
Its not who you
A phone call alter of not
When her spoke rum tasting
Not bake it down
Form of, over resting in hair
Withstanding not closeness
EAGER to lend to lay to legotiate
Forming upwards covering knuckles
Lasting too. On stop lean not
Over for with deciding lean
Meeting ripple forming upwards
Static is whereabouts. He
Licked my bruise. Can a cross
Ing flow again now lasting for
De-wards dis-
Ph poly can remark over face
Settling de-set plea crossing over
Too mixed up eyes.

BATTLING BATTLES BATTLED

2009-08-12T19:44:00.016+01:00

The Result of BATTLING: a room of INTERPLAYS

read this now.

circling a response

2009-08-11T15:02:00.002+01:00

Response writing: from this to:

I am rereading your current writing of reading and making in a process of this performed act of the essay writing as a reading of thought in a writing of the the reading. Negotiating your reading of a writing of a reading text. This future of a reading and writing relationship is dependant on the conditions of these “reading”, “writing” and “voicing” strategies. The voicing is a voiced reading experience of writing. Circle comes to mind. Let me circle through voicing your reading.

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of
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con he ent ed man the Be od un

The per orm rel en the as a two
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As on
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so al bo gen and ry e he he
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orm the text

ation of ead ions ctions one are a

ial ned inst of ce tra mot of
In the not re
con e ial text ma et lt ion p is
fo a pro pro con sic di uce
strat ion

deter mines sc le jat the
and citwo re orm The ed motop
tion val How it ievce em a ad
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phy pro
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is not logy is ith vosp met cerair se
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licat ial rap com por tant of trol
to thi
at ay ma are com

EVENT: Every Day A Battle

2009-07-06T23:57:00.006+01:00

Wet Ink and Scenery Chewer Present ‘Every Day A Battle’

Wet Ink and Scenery Chewer Present
EVERY DAY A BATTLE

Poets:
SEJAL CHAD
BECKY CREMIN
RYAN ORMONDE
KAREN SANDHU
LAWRENCE UPTON

ALLEN FISHER (ON FILM)

ROBERT HAMPSON (TBC)

Place: Mosaic Rooms ( 226 Cromwell Road London SW5 0SW )

Time: Saturday 11th July from 6.30 pm to 8.30 pm.£5

All proceeds to go to charity.

We seek, for an evening, to revisit the notion of Earls Court as cultural battleground. This event takes inspiration from Peter Barry's book Poetry Wars: British Poetry of the 1970s and the Battle of Earls Court which uncovers the 'battle' at the National Poetry Society during the 1970s between radical and conservative factions. Thirty-five years after Eric Mottram heralded a 'British Poetry Revival', the question of how to negotiate with the poetic mainstream still infiltrates choices made in the everyday practice of many emerging poets. We present the work of several new poets and hope they will be joined by some of the leading figures of this historical moment to revisit the scenes of an important struggle for creative freedom.

QuestionING

2009-06-24T18:27:00.002+01:00

Battling for Earls Court

2009-06-17T22:16:00.009+01:00

Writer
Just
Seems
Principles
By
Explication
Dichotomy
Single
To
Do
Kind
In
Of
Text
Stasis
Instead
Coherence
All
That
Essay
Write
Poetry
Moves
Linear
How
Of
Sheer
And
The
Kind
Books
Pointer
Words
Plasticity
Cohere
Vital
Sheer
Whatever
Training
Writer

Wet Ink does Choose What You Read

2009-06-17T21:40:00.008+01:00

Proud Galleries Camden
15/06/09

A night of music and free books and newspapers.

Choose what you read gives out free books to commuters

look out for them at your London stations!

An experiment in Recycling/Procedure/Performance conducted by Karen Sandhu, Ryan Ormonde and me.

our instructions:sources:

results:

and some ramblings:

waiting

2009-06-17T19:27:00.006+01:00

Last week was one of those weeks of waiting.
I wrote and rewrote while waiting.
while waiting I performed the following

waiting I

Heres my point he says – thick American
Accent drinking whiskey@ 15:01 my
Time- minus two for yours A
Call to prayer sounds out- comforting
As an itsy bitsy spider No YOU SEE
He walks light of foot with a dickey bow
Minus dick I sit and walk as at
12 o’clock a man scratches his head
Egyptian I would say – he probably
Wouldn’t A native tongue my native
Tongue heard amongst coughing and
Cups sneesex long white fabrics
Canvas the area a woman
The first her cuffs shed light
On her person- cuffs beaded with
Silver beads – beads are an of finished
MAM- yes thank you very much an
Exchange – I am not a MAM
MAM – MAN – MAM – MAM – MAM
MAM – MAM – MAM this is all
Too close to –
My feet look browner today- somehow
The sun strikes them differently than
My face – with an ease an unforced
Ease- I will not be here in an
Hour Some noise from behind me
MAN heavy footed WHO declares this
Pandemic headline of the Bahrain
Tribune today that southern whiskey
Laugh smiled at me-
Sikh man in grey suit- red turban
I would say. Heals are strange objects
Only A in cabin I just realised I should
Wirte a folk song – shoot – shoot – haze
Haze a real word not a semi haze
Of to be expected
HAZE Ha- Aa- Zz- Ee-
ITS ALL FOR YOUR SAFETY
Bubbly brain not content with this
Reatures sonic expect a registered position
2 lines deligated of a similar hue
I am getting closer to the sun
And to you
Pin holes is this buzz normal
Normality is
Cutting off a light you are now
Free to move and you may move
Permission to movement – she slidea
Closed curtain similar ro an exagereated
Cell in sky
It’s a blue of carpet and grey
Armrest- armrest when do we need
Armrest
Soulrest- soulrest life vest life vest-
So much concerns
Non normal care
Sun this is shadow line
I can adjust shadow with movement
Finally cool air – this means
Means
Ahlan Wa Sahlan
please Ahlan
please Wa
please Sahlan
please
please
please
please
please
please
when you smile those eyes
she said at 25 you should
find someone but they should find
Eyes – they can
Eyes – they will
Eyes – they who
Spent at a disSembodIment of the
Universe - You important
- You important
- You Im
He never wordens my sense – wordens my sense
Wordenes my sense
I open a shutter to chronic light
chronic grounded less the grounding
Petals on a fabric he knows
Pink orchid in hair at 17 it was
Followed by eyeshadow Come –
Tell You can blank out time in transit
Shooting upon- searching for
We should relocate to auto
Auto pilot tends to lead me
Ashtray one hidden fact he dismisses
Smoke when emotional
His breath in my head that had
A weakness it’s a weakness a weakness
A weak ness a weak ness
a weak ness a weak ness
a weak ness a weak ness
a week ness a week ness
a week ness a week ness
a wett ness
a wetness
witness
There’s a girl There’s a girl There’s a girl
do you see her
There’s a girl There’s a girl There’s a girl
do you see her
There’s a girl
There is a girl
Late night Late night that’s all that
Comes up
up – to-
to – tell you

There’s a girl

waiting II

He he is kinder than he thinks
She she is less inviting – les than she
Knows This a floating turn in
Front of face she her mother and
Her cat got raped yesterday one eye
Stings a scar across her pink nose
Lying – lying – flat
She is the cats mother
If I could moan I would
Eye sting
This is comparison
The care of my mouth overflows Too
Often
Shiny teeth
When your concerned
You know I say that with pain in
My heart
Pen follows shadow and I wear
Socks which aren’t mine
Central figure – central figure
Figured – She is
She is
She is
She is
She is sure
Reminded of a loud music
Freedom in sand
Shaking and dancing – UNTOUCHABLE
To return – to return – to return to
HER SHE

I folded the page to
Break from you
Break from you
Crave that song you
I adore you is that
This check this is this
Signature – twisting through ventricular
Partially lit by
I’m hearing the drums-
This please this please this
Do this please you
Louder
VERBSkickin
Lavishly bite to a grape
Seems once again you hang on the line
Lines – take one pick one
Static on the screen only my
Screeching through ears
Prick of fizz in water
Horizon blurred in
Take it back
Let’s go dancing- ok lets stop now
Am I speaking for you too
This – Wish it -t-t-t-t-t-t-t-t-t-t-t-t-t-t—t
Can I ask a question
Will you come with me
Engulf it engulf me that’s what
Emoticons do – forgive me- I
Don’t speak frankly-
Because now is beyond
Compatibility ability comability
What do your fingers taste like
Tow and behave this is fugitive behaviour
Sleeping in a revel – let’s lie it
He and lemon a debate of mind
Corner angled towards me brings good weather
Lets begin again – No
I’m going I’m going I’m going to try
That day
One day
That One day
Look at me
I’m saying look at me
I’m saying look at me
I’m saying look at me
I’m saying look at me
I’m saying look at me
I’m saying look at me
I’m saying look at me
I SAID look at me
I SAID look at me
I SAID look at me
I SAID look at me
I look at me
I look at me
I look at me
I look at me
I look at me
I look at me
I look at you
Turned over now cross border to
Face – face it – face me I
Can’t tell
Do you a herald bring an
A just crossed under me
This uneasy look
Does it you?

waiting III

Listening to recover to place
Open door long door long door long door
My right shoe sticks to linoleum
An oil by product- a BY product
Fluorescent tap fluorescent tap
Fluorescent tap fluorescent light
After each
Recoil- but this becomes
Twenty five paces seems to be an
Appropriate place to turn
Squeak – cuts through
– cuts through
– cuts through
Finishing is
Face in cold water to run over mascara line
This puffy not needed
Deep – and then close door long door
Long door long door
My left foot is in shadow – an absence
Of right – a BY product
Now again
Ceiling tap ceiling tap
Ceiling tap ceiling tile
Now again
Utter - not waste now
Sipping to count time it is
Not appropriate to
Tear – cuts through
– cuts through
– cuts through
Breathing is
Iris shut at replace lens blurred
Is easier to be straight
Ache- and then close door long door
Long door long door.

thank you for waiting with me

smiling words!

2009-06-02T23:38:00.003+01:00

This is not mine, but it made my day, it will soon be on my wall!
Thanks for making a useless day end with a smile.
Thanks RYAN!

EVERY DAY I AM SINGING BECKY
EVERY DAY I AM BRINGING BECKY
EVERY DAY I AM CLEANING BECKY
EVERY DAY I AM DANCING BECKY
EVERY DAY I AM WALKING BECKY
EVERY DAY I AM SMILING BECKY
EVERY DAY I AM SUNSHINEING BECKY
EVERY DAY I AM ABODEING BECKY
EVERY DAY I AM LAMENTING BECKY
EVERY DAY I AM FOLLOWING BECKY
EVERY DAY I AM TURNING BECKY
EVERY DAY I AM SHIFTING BECKY
EVERY DAY I AM TRYING BECKY
EVERY DAY I AM THING BECKY
EVERY DAY I AM ADVANCING BECKY
EVERY DAY I AM STARING BECKY
EVERY DAY I AM MEETING BECKY
EVERY DAY I AM AMAZING BECKY
EVERY DAY I AM GRILLIN BECKY
EVERY DAY I AM PIERCING BECKY
EVERY DAY I AM HURTING BECKY
EVERY DAY I AM STRUGGLING BECKY
EVERY DAY I AM STRUGGLING BECKY
EVERY DAY I AM STRUGGLING BECKY
EVERY DAY I AM MORNING BECKY
EVERY DAY I AM HANGING BECKY
EVERY DAY I AM LEADERING BECKY
EVERY DAY I AM WEAVING BECKY
EVERY DAY I AM SEEING BECKY
EVERY DAY I AM BRANCHING BECKY
EVERY DAY I AM YIELDING BECKY
EVERY DAY I AM PATTERNING BECKY
EVERY DAY I AM ASKING BECKY
EVERY DAY I AM BLENDING BECKY
EVERY DAY I AM COUGHING BECKY
EVERY DAY I AM CARESSING BECKY
EVERY DAY I AM MEANING BECKY
EVERY DAY I AM CUTTING BECKY
EVERY DAY I AM ING BECKY

BOOKS and MAKING and BOOKS

2009-06-02T12:30:00.006+01:00

The day was:

Our surroundings:

Wet Ink made books:

Thanks to Ryan Ormonde and Sejal Chad and Karen Sandhu for a day of talking and drinking and making. A truly PERFECT day! Karen Sandhu has documented the day of frolics here!

Domesticity

2009-05-26T21:29:00.010+01:00

I know I should be here more and I will. I have been working on NON FREE writing.

A series of domestic sonnets looking at "performing" domestic acts. Currently experimenting

with baking. Baking: writing through baking. Baking: performing baking. Baking: baking

This series will look at how physical performed processes degrades language.

BAKING I

She, stands still over wood to hand clean skin,
She, opens tears butter grams to pale whip,
Not quick, but thick sealing moisture out. Been
Handed knife in warm melting spread by lip,
Into dense siv fingers into plain fleur,
Sifted, mix hand over wrist pale motion,
Turn heat, beat hard, with wood, melting in beurre,
In mould, beat burns, pinch lick through emotion,
I, open woman, tend bake to tap pours,
Knife plunge to put Ceres beating of warm,
She waits in domestic wire blending hours,
Now cooling, but she will wait and reform,
She: A domestic leads with her own knife.
She: A domestic leads as her own wife.

This making and baking and producing in a defined form was strenuous!

While the oven baked I translated:

BAKING Ia

It, is held quiet above it wood to give the clean skin,
It, opens grams of butter of tears to fade the whip,
Pas quickly, but thick moisture of sealing outside. Given
The knife in the hot cast iron draw aside by the lip,
In the dense fingers of SIV in the flower dish,
Tamisé, the mixture give the pale movement of wrist,
Tournez heat, beat hard, with wood, melting in butter,
In the mould, of the burns of beat, pinching lick by l' emotion,
I, open the woman, tend make cook with the furnace to type pours,
The dive of knife to put Ceres the beat of heat,
It waits in hours of mixture of domestic wire,
Maintaining cooling, but it will wait and reform,
It: Domestic wire with its own knife.
It: Domestic wire as a its own wife.

BAKING Ib

Own is kept calm over the wood in order to replace the skin,
It, opens grams of butter of tears in order to wither the whip,
Not quickly, but thick humidity sealing outside. Replaced
The knife in the discarded warm cast iron from the lips,
In the dense fingers of SIV in the flat flower,
Leaked, the concoction replaces the movement wrist pale,
Turns the heat, hard heartbeat, with wood, flow in the butter,
In the stamp, of the skin burns of heartbeat, pinching consume for l' emotion,
I, open the woman, stretch make to cook to the furnace in order to type pour,
L' immersion of knife to put Ceres the heat heartbeat,
Waits for in hours of concoction of domestic thread,
That it maintains the cooling, but will wait for and reform,
It: Domestic sons with its knife.
It: Domestic sons like its spouse.

BAKING Ic

Oneself in order to substitute is maintained the skin which is calm in the wood product,
It, in order to do to make wither the whip opens the gram of the butter of a tear,
In the humidity sealing outside which quickly, is thick but.
The knife which is to the iron which is warm comes to throw away lip which substitutes,
From the finger which SIV where there is to a flower which is flat is dense,
The new, mixture substitutes the kinetic wrist which is pale,
The tree and to join in, the line, hard pulsation the interchange, is to the butter goes round,
From the stamp of the skin burn of the pulsation which pinches, consume; Emotion,
I in order the hitter stroke in order to cook, makes woman the stretch and follows, Opens;
Puts flooding of the knife which is a thing opens pulsation Ceres,
From time of domestic disappointment mixture the period expectation,
It to maintain cooling, but reform will wait,
It: The domestic son who has it knife.
It: The domestic son likes it spouse.

BAKING Id

To replace to do that skin maintained which of wood produces calmly is,
Him, to form, the whip to fade opens however the gram butter d' a tear,
In l' outside d' moisture which is fast, strong.
The knife is which to the iron which is hot, comes to throw far from the lip replacement,
Of the finger, the SIV, in him with a flower gives, is flat, narrow is,
The new one, mixture replaces the kinetic wrist which plates is,
Tree and with ‘interior to connect, the line, will palpitate lasts exchange which butter is,
With interior, of the stamp of fire skin to palpitate which wedges; the respect uses;
Feeling to cook I for the account, the woman and expansion form I opinion d' man d' impact
Follow; One s' open; flood of the measurer a thing opens to palpitate of cerium is,
Of the time to which a national mixture of disappointment l' makes an attempt period,
They wait however to maintain cooling, improvement, places to
Him: The national son who l' has measuring.
He: The national son wants it husband.

BAKING I BAKED:

the ballad sung

2009-04-30T13:00:00.001+01:00

Leather couch sitting in dark
creeping and coughing behind a
man- a Spanish voice a white
square it will tell answers I
know it -
white eyebrows

01:34 pasley pattern blue lit grow
Broader as I a solitaire
pounding on drum the smell

old couple – pearl necklace & mickey
mouse headless super her in open a muscles
dusty boots a look a line a
bend esall race sunny shirtlessness
a mirror dancing jessus sleep ‘
velvet black V please put down
your legs holy tights chains naked
bed a bow smoke muscles anatomy
hairy toilet yes so what ordinair
never look into legs viva fishnet
women why laugh teeth

of a freckle works hard
define a hand going understand
this water engraving is wood distancing

Simple MIDWAY PARK ring a look
content lost wide eyebrow the
distance smut to the
leather seat

rubbing wood HUG denim point
just eyed press the match a cross
morning eyes watch lace Brut knee
embrace cry MAN lost ladder
face mask breast bruise towel
dawn window back root kiss the
girl bruised eyes needles bllod shot
burn bruised breast

my god give me your arm soft
on foot the patchwork
coming undone on pink sheets

eyes slit
2gether swelling flowers red
screams tear lines of blood
splatter down pants gun
picnic bang bang bullets tough
knife grown muscle strength
My back open shower don’t

eight white align
between candles degrading
my hair to a bottle. Fall into a red

Make me over submerge floating
breasts lie back
running hair squat pregnancy

beside battery a basket for ease
inverted lines make me feel
TERME is telling dried brood

touch phone inflict Hostage girls
admission dollar a lie feather
held by hair gold street bed
just Re-married thong tropical
she sings on TV wed . Ring
country cake balloon growth
milk sport Baby kiss confused
touch taste flowering wall paper
wrestle centipede an outstretched arm

Tissue drawers are mine
Crosses the all too sensible
Maybe rewind and his girl has

avec looking up pout stomaches touch
ATLAS
this is a mans world fight talk mother
a circle trees in window train watch
no smoking erect pens kiss on sand
guns and a devil mask straps

snake a city cowboy pushing in
motor cycles to drum
pissing BBQ fire linger she had
on
coco boots light changed NO
standing

Folds yet to be completed
Will this
Once you’ve been
Gained a circular pace doesn’t

long snow in bath shellelton hiding

romantic V stained shirt check hug

kinky skeleton MY ouch a

burning lady luck swollen eye one

window goodbye I don’t want

a partner broken tooth loving

new romantic
1946-1955
many men flowers turn away
run away

Leave high heels to a proposal
She cried for four days
Latches you

woods kiss on TV a back shaving
looking down water breathing wipe
this flesh
holding penis ex boardwalk nike hat
back seat hugging
THINK

I guess I have to confess I have been
wandering too-
I wish it could
happen to me

admission $10 pink elephant cocaine white
teeth cuddling baby holding a torch

Ghosts on a bus persuade
Never make am I a line
Paper elastic to contrasting duration-ability

first heart shaped bruise- Guilty
hard wall chain lace gloves eyeliner
poxy pink light ring square lines on
face a denim jacket look earring
FRONT needles into a gun lady blood

Same place tomorrow
That is the make then situation
Hotels future broader the light

ft 16.90 its 3 nestle a spoon

newsweek
camels
and break

lace gloves smoke pain high heels

when your alone- go downtown
the cast- the music converse

Monopoly twist girls
girls
girls live

Irash enal

banana shirt at tomorrow
an Eiffel lowers golds MOT

2 women sit on the toilet flames on

cer seduction grab
unmade beds
neo hugging memories
lace in night shy

father mother husband erect angels
with flowers skeleton
coffing fit up
kiss sleep

Explorations in ING

2009-04-27T22:21:00.004+01:00

Constructing a vocally transmitted play. A play in play.

I am interjecting a character ING.

ING now speaks:

characterizing the
thinking
thinking? This
thinking is
doing it.
thinking sticks.
Thinking runs
///
Thinking from
thinking and
thinking is?
thinking. It
ing is
concerning
thinking and
///
sorting out
thinking. This
thinking.
‘thinking’ it
thinking psychologists
thinking: fantasies
flitting from
underlying wishes
trying to
‘thinking’ is
‘remembering’. The
Thinking of
happenings in
thinking. I
///
happenings have
doing’ when
mountaineering does
muttering detailed.
adopting an
thinking what
‘thinking’ of
talking about
referring to
thinking when
ing climbing
abandoning them
///
drinking when
driving’ ally
producing and
producing and
ordering of
thinking’. Thinking
thinking’. Thinking
attacking or
attacking or
defending a
expressing statement
appealing to
///
‘thinking’ in
‘reasoning’, ‘reflecting’,
‘reasoning’, ‘reflecting’,
‘reflecting’ of
‘pondering’-with
composing music
planning a
wanting to
‘thinking’, even
‘digesting’ or
‘counting’ can
farming involves
farming involves
buying and
buying and
selling cattle
Ploughing, reaping,
ploughing, reaping
hedging, reaping,
hedging, ditching,
ditching and
milking are
ploughing of
///
ploughing on
‘thinking’ is,
‘farming’, a
thinking. The
‘thinking’, leads
Trying to
‘reasoning’ or
‘thinking’, ‘reasoning’.
‘thinking’. It
///
Thinking abstractly
thinking to
thinking he
engaging in
‘thinking’
Objectifying the
///
Studying so
describing what
thinking and
‘thinking’
analysing and
interpreting the
///
‘thinking’ will
reasoning or
thinking. Other
///
thinking and
thinking?
doings? There
thinking- imagery
getting human
getting objects
///
working in
attempting to
///
observing something
thinking has
‘thinking’ reflectively
///
starting- point
thinking. Factors
thinking. Chapter
describing studies
solving. From
- solving behaviour
thinking’.
thinking activities
thinking and
thinking. What
///
thinking. Other
understanding of
according to
thinking and
thinking operations
synthesising and
evaluating the
///
Solving behaviour
starting- point
ing is
///
ing human
beings have
living creature
- solving
solving behaviour
string which
requiring the
///
pushing at
clawing at
trying to
leading to
netting. In
using removable
///
Leading to
///
facing the
learning.
learning have
reaching the
strengthening- weakening
weakening- process
learning- ‘instru
conditioning’- will
///
-solving and
manipulating levers;
opening or
conditioning. Never-
learning. The
///
wandering around
looking at
jumping.
‘setting off’
understanding’ or
meaning. There
understanding owing
owing to
doing and
meaning which
solving situations
offering somewhat
///
leading directly
understanding’. Spence
leering is
///
increasing subtlety
training given
‘learning’, never
‘Learning’ (especially
‘thinking’)
‘fishing operation’
Pulling in
///
Training into
///
covering (rats
training on
training events
following test
putting together
///
Liking for
resorting to
training from
conditioning.
running from
rewarding. Run
drinking, R-
running to
running
running on
training followed
training on
suggesting that
writing.
///
being. This
interpreting the
tackling and
solving problems;
beginning of
learning
solving the
///
Solving Behaviour
Beings
-solving experiments
happening,
disentangling of
thinking. Logic
meaning in
///
collecting and
calming facts
culling the
ing how
-solving
Giving his
having done
requiring abstract
reasoning. They
solving.
Being has
following lines
bringing it
ruling them
///
Searching for
shifting of
‘shifting’ is
defining character
reasoning.
surrounding tissue’)
-solving, then
///
-solving can
Showing that
‘seeing how
showing the
fitting into
///
beginning to
developing unfolding
unfolding style
Making a
determining areas
solving tests
solving.
finding these
reorganising the
-solving is.
///
thinking out
‘recentring’ of
forming or
changing the
varying the
shifting the
solving is
striving and
struggling with
emphasizing the
solving
solving behaviour
///
Solving it
‘working it
tackling of
according to
solving attempt
solving it
///
understanding of
thinking. This
groping, indefinite
writing- yet
CONTROLLING CONDITIONS
beings do
doing it
-solving.
///
learning, transfer
beings owe
grating control.
///
ceiling to
ceiling by
ceiling and
ceiling.
following groups;
solving the
///
solving the
///
ceiling? The
making of
solving and
understanding of
thinking success
training: the
spring- perceptual
conditioning.
solving.
solving problems?
///
thinking.
examining the
analysing the
meaning of
interpreting the
shifting the
Shifting not
THINKING
dealing with
solving capacities?
Solving behaviour
solving?
illuminating in
studying, the
solving is
thinking in
solving behaviour
learning theory
solving behaviour
///
Beginning to
coming forward
dealing with
becoming increasingly
thinking it
something about
learning.
discussing learning
learning one
thinking: namely
learning’ in
///

The Ballad of Sexual Dependency

2008-12-11T22:33:00.006Z

In a room in the MOMA in NYC I watched a slideshow of Nan Goldings 'The Ballad of Sexual Dependency', a moving piece chronicling intimate life, exposing bruised lives I sat and wrote for 45 mins.

the ballad:

Leather couch sitting in dark
creeping and coughing behind a
man- a Spanish voice a white
square it will tell answers I
know it - The ballad of .
Sexual Dependency
white eyebrows
old couple – pearl necklace & mickey
mouse headless super her os in open a muscles
dusty boots a look a line a
bend esall race sunny shirtlessness
a mirror dancing jessus sleep ‘
velvet black V please put down
your legs holy tights chains naked
bed a bow smoke muscles anatomy
hairy toilet yes so what ordinair
never look into legs viva fishnet
women why laugh teeth 1244274

Simple MIDWAY PARK ring a look
content lost wide eyebrow the
distance smut to the
leather seat
rubbing wood HUG denim point
just eyed press the match a cross
morning eyes watch lace Brut knee
embrace cry MAN lost ladder
face mask breast bruise towel
dawn window back root kiss the
girl bruised eyes needles bllod shot
burn bruised breast
eyes slit
2gether swelling flowers red
screams tear lines of blood
splatter down pants gun
picnic bang bang bullets tough
knife grown muscle strength
My back open shower don’t

Make me over submerge floating
breasts lie back
running hair squat pregnancy

touch phone inflict Hostage girls
admission dollar a lie feather
held by hair gold street bed
just Re-married thong tropical
she sings on TV wed . Ring
country cake balloon growth
milk sport Baby kiss confused
touch taste flowering wall paper
wrestle centipede outstretched arm

avec looking up pout stomaches touch
ATLAS
this is a mans world fight talk mother
a circle trees in window train watch
no smoking erect pens kiss on sand
guns and a devil mask straps
snake a city cowboy pushing in
motor cycles to drum
pissing BBQ fire linger she had
on
coco boots light changed NO
standing

long snow in bath shellelton hiding

romantic V stained shirt check hug

kinky skeleton MY ouch a

burning lady luck swollen eye one

window goodbye I don’t want

a partner broken tooth loving

new romantic
1946-1955
many men flowers turn away
run away

woods kiss on TV a back shaving
looking down water breathing wipe
this flesh
holding penis ex boardwalk nike hat
back seat hugging
THINK

I guess I have to confess I have been
wandering too-
I wish it could
happen to me

admission $10 pink elephant cocaine white
teeth cuddling baby holding a torch

first heart shaped bruise- Guilty
hard wall chain lace gloves eyeliner
poxy pink light ring square lines on
face a denim jacket look earring
FRONT needles into a gun lady blood

ft 16.90 its 3 nestle a spoon

newsweek camels and brown

lace gloves smoke pain high heels

when your alone- go downtown
the cast- music converse

Monopoly twist girls
girls
girls live

banana shirt at tomorrows parties
an Eiffel lower golds MOT

2 women sit on the toilet flames on

cer seduction grab
unmade beds
neo hugging memories
lace in night shy

father mother husband erect angels
with flowers skeleton
coffin fit up
kiss sleep

I have been performing:

2008-10-03T17:13:00.016+01:00

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outside

92cm x 64cm x 208cm

15/07/08- 07/08/08

24 days x 120 minutes

inside

80cm x 54cm x 148cm

Can you pnder the
performing of
the
performance A singular performance
beceome a Lonely task

IT BECOME A TASK
can reading and Re – READING A
become an act of making N
in response to performance
UN
I am
taking my gendre to you
to the
Does wearing black
line dress
L

I taking IN
THE
N
time E horizontle becomes e ignificant
06:23
means the

the day has

to A is NO

LOOKING UP
pressed H against this new
to press douse and
cause the knee to be
in am he wall th
way this makes act
the world seemstill it
O with a silence
r
each moise then bew
more than just pressing
but pressing against
against grain the warm used

15 to I it agai he
how an a wednesday the same
doctrine says `` we hour
aries re is what a truth
a femm is what a truth a
truth that if I speak A loud
becomes real a Rist of the
body tHis objectify
the nor,al
body- th lack are the last
connec words nere if I were to end
now end bour there could
be
wo wors to sigh at ME for
rest if thid days lack of
lack of
lack of
lack of
lack of
lack of
\ack of

now O

fourteen towa to fin my [ ]

square line
line L line

line line

can I each it the
corner that always faces away

the corner
not becoming the one thing that
doors on the door
Alignment
to a. Vertical

left that become here
to see when heard
pressed against
right. corner
look!
up Lo a new Vells
that the hardest
place to get to No
one ever tells y
that the one
line make

HERE

can from it now
where L crally
Pins an dles
wanting to more but knowing
it will hurt or make you
uncomfortable build
up it not moving will make
it hurt more or more or more
and and and then the sense
return to fost left fost

11 dots I on a corner of that dress

itch scalp

I would like

my s late
LIGHT

Leobs sections back

that to be on may
be something to RE-onder
THE WAY IT. could be

touch it to a deep
rustling move
AM
drawing on
finger
finger
finger
heal please

OVER
OVER
OVER
OVER
OVER
OVER
OVER
OVER
OVER
OVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
EVER
OVOR
over
over
over
over
over

in reaction to

2008-06-24T02:25:00.001+01:00

a poetic mass

2008-05-04T23:41:00.005+01:00

many weeks and not much sleep make:

WALK DONT WALK: a serial play

2008-04-22T00:20:00.002+01:00

Durational performance over 40 mins

mins 1-10

mins 11-20

mins 21-30

mins 31-40

this is a memory...

2008-04-05T23:41:00.002+01:00

“So it is a lover who speaks and who says:”
I start stitches
entries from read reek stitch conceive
away from of lovers. slices
ream 3 dimensions thick
overlap and resolution cotton
perspective to now of love
For. whisper me beginnings here call all things

Do you hold me
tight pulled close
following of an exideration

stuffed
perhaps by thousands
but warranted by no one;
it surrounding language

derided decorated
memory
but also
sciences techniques

driven

memory
confronting the other

it tastes coded rewards
lines
lying binded is
whispers
affirmation:

affirmation: affirmation is

affirmation: affirmation is affirmation is affirmation is
affirmation: affirmation is affirmation is affirmation is
affirmation: affirmation is affirmation is affirmation is

short
coated by my birth
coated by eyed myself to be bought
him he paper used to this a disBurning
my pages cutting Rest on of me apart
“TOCK place not bleed opresenting a (sewn together)
cannot stitch A self am into I
cold book sewn into body inflecting wadding-

Resist
I am writing for an arrival
Futile

(waiting)
wait for the
xiety is the
same
pro/portions.
rich melding of dark
Geography of waiting Portion
YOU
her lover
this is then various lovers
interior
play. Roots In
reason
looking in page parenting
: I decide TICK
softly lie inside
waiting was there

stroke
testing needles point lips
watch several times).

owning A harm
telling slices into lay harm cotton
rest on
resenting
my delay from a drUfating toast
printing social scene quality to read when I
reading. conceived my Reading me. it was
of love the was the
interior massive a usurpations cuttingNG through
labour pink. BLACK cottwet tearsing needle
thought this page by answers cited to)

AGONY a model in search of pleasure
your eyes future
absurd

you
you back to
your
alone
(jealousy
I pick up a book
Bodies as tablet for
“calmly”
taste murmur
stupid
back

body; Socrates describing
telling hem
figure
the
born newly conceived
thumb strokes
something were

muted

in breakdown
psychoses
of

who doesn’t speak
computable me whole assegions of a birth Do
confessions screamed delirious. heard
assumptions till waitin heart on this red back
him to
8 pages diagonarted as a reving up and
book. die Knotted on a purple out a cell
became discoursing over resonate from opinion-
“In loving calm your arms”
We
relentlessly
must
kiss
restless experience
embrace
embrace
subject
being support for the head

in the realm we there
voluptuous
for telling stories,

arms,”
Jealousy for
fear that
companionable incest,

relentlessly relentlessly relentlessly relentlessly
relentlessly relentlessly relentlessly relentlessly

logic lists of all kinds
the adult

superimposed
two subjects at once:
I want

amorous subject
onwards derstand my secrets I holico soft Now
dear. Soft him. which head Tiny threads
middle My hands when friday Sh
I delay ink as left never resees form course No have
transfer. makes future decorate moral thoughts
onto outcry ticting slices a timelessisting
I do nuance state only fray over who-

Re:

/regrette’
life continue
1. overhears modern
Performing drama
“And

lives?

they
affect
myself
deeply
skin
with
not deny
; I see
hastiness
out

obsession. Lie in her youth
destination”

need of the other (
Mother is

regretting mourning
Depression). who doesn’t speak

each speak nonharm a fragment pick up
taken to it does whole I I don’t
heart O me myself thi itself into
bought delay think woman one night
broken mirror play Could be resist second
was you Reading. ResI maker tell
all out the binding setting represents

/couer

its pages are pliable movements
desires
gift- Object ___

or rejected
weakens hell
chanted toire
will desire?
the heart’s
means “ problems”

whether esteems
mind mine
yet Ah, know
may
fortune love
not fortune
in interested
mind heart

is to give
most little
is what

is taken away
most inmathmatical call surgery rip Dying manual
me pricks fiction blood a day and I
she began. by page committed
making like child To glueing past life
me. I so I need to no noise with my
I lay to be you for you relentlessly

les penses

2008-03-26T21:44:00.005Z

performance samplings of a place known to (I) we take control and realise (I) we draw and transcend the socialness of such an experiment walking (I) discovered we time face a spectacle instructioned copy parameters define (I) we code self reflexive movement streets step
step
step
step
we dialogue in a case study land offered in a permit of space (I) advantage gain confirmed ground the rewinding tape we have (I) offer the play button to a defining source (I) construct we have to play with steps boxed pins define (I) we share space circle co-operate co-place-iate. please. please. please. (I) seeing we rooms cells making capturing essence of the road.
(I) see mirrors
(I) need mirrors
(I) am mirror
communicate scenes in non co-(I) co_we dot to com in we have nature being (I) we become

1x1x1= choral repetition

2008-03-14T18:48:00.003Z

fuller plumper
UNDER HER QUALITIES
Botched uber pink injections
Disfigured rouge consumed collagen
MUST APPLY GLOW
Limited editions incisions fill lines
Corner teeth bleeds bubblegum
FURTHER TO FIRM
Pre snog enhancement repeated fuller
Pucker up bloated balm plumper
TONE UP YOUR VIBRATING CORE
Collagened delicacies swelling hot
Liner repeated incisions periodically
PERFORMED ESSENCES
Blot stain blow
Blow stain blot

Sucking suturing
UNDER HER QUALITIES
She applied a strip of glue to her eyelids
3D darkening saline stuck false iris to fluid
MUST APPLY GLOW
Injects acid pinches to a 12 hour curve
Anaesthetic doll like falsies she dreamed about
FURTHER TO FIRM
Volume lined she widens corneal glance
Cut folded to liquorish black
PERFORMED ESSENCES
Voluptuous lengthening flap pinches discomfort
Refract non-cataract she bloodshot definition
TONE UP YOUR VIBRATING CORE
Flirty red puffy
Puffy red flirty

Injecting implanting
UNDER HER QUALITIES
Her shopping eyes lifted ward women
Unwanted prefer cover lips
MUST APPLY GLOW
Strut your shampoo and mental illness
A consumed single extra woman
FURTHER TO FIRM
Collagened delicacies aren’t destined for dining
Why fear voluptuous terrorism?
PERFORMED ESSENCES
Fistfuls of dollars per pore giving lips to die for
Suck out skin ageing is in plastic containers
TONE UP YOUR VIBRATING CORE
Look conceal see
See conceal look

1x1x1=

2008-03-13T15:37:00.003Z

i want i want i want
eye
could this be the solution
saline and sight
diving cigarettes
liner black ink set
zooming lense
i need i need i need
my
what is sacred
tempting and testing
loving larynx
pink gloss stick wet
invading holes
i want i want i want

a case of serial breathing

2008-03-11T00:24:00.006Z

IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT IN OUT

the breathe breathing breathe rate in out in out in out in out in out duration of skin on breathe racing panting racing breath the skin it breathes hesitant respiration choke in out in out in out in out in out in towards duration respiration act inhale act exhale act pressure panting pulse sigh in sigh out sigh breathe the breath gasp pant mouth to lungs durational breathing

The seriality repetition duration of our breathe
The path of breathing space of breath
The vocal response to breathe

thoughts on space......

2008-03-09T22:56:00.004Z

non places places abstract space spatial S-P-A-T-I-A-L invasions individuals INVASION dialogue in landscape WE ARE the LANDSCAPE interspatiality terra soil clay concrete metal brick up down left right 2D interventions to new space RUPTURE border divide place vertical horizon ceased existence Devoid DISplace this place this space the site non site site non site site non site site non site site non site site non site site non site site non function establish perception confront locate ACT act ACT interACT act art audience PERFORM establishment input space output INTERaction sign signified image location geo institution geo inform geo object geoground locate locate locate locate locate locate locate locate locate position in occupied view foreground view background ground text in ground function space performance everyday sense practiced place course landscape text time theme snap literal SNAP space snap site specify space specify site specify reflect RELOCATE locate reflect non site inter order inter space INTERsperse documentation map mapping map walk sub space intervention destruct deconstruct energy field energy ENGAGE obstruction physical object event engage ENlarge enGULF align a line line linear DISline high city syntax monument syntax city SIGN turn SIGN turn SIGN viewers strategy reading space experience sub liminal NON function dialectic site mapping movement MAPping map Destabilise loss city sCaLe environment memory space transition TRANsition tranCITY transient places non places sites non sites sites non sites sites non sites sites non sites non

a letter performed.....

2008-02-28T16:39:00.001Z

A performing Receipt

2008-02-26T23:56:00.006Z

The readymade performed

A receipt PERFORMED and RECORDED and TRANSCRIBED.

What is a docementation of performance?
Can a perfrormance be a material?
Text as Script
Text as Document
Text as Text
Text at Play

wallpaper 2

2008-02-26T22:21:00.003Z

Wallpaper

2008-02-26T21:59:00.003Z

Repeat Me

2008-02-22T16:26:00.004Z

The vaginal memoranda bury my need a child be. Been scorched streets which slave cut. Clicking heels. The neighbours on Sunday morning have slaughtered. Is it possible he who to be? Two people kiss twice. Repeat.

The vaginal beams bury my need to be a child. Risen streets crossing of the tendons. To click heels. The neighbours have the sex Sunday morning. Is it possible to be which? Two men embrace twice. Repetition.

Virginal the bundles bury my necessity a child to be. Swell leave roads sharply the chords. Cliqued of the paragraphs. The neighbours have the gender Sunday mornings. Is it possible to be, that? Two men cover twice. Repetition.

The series of vaginal gears bury my responsibility of being a child. Produced ways of the bubbles on that they cut the tendons. Releasing itself of the heels. The neighbours have masculinity on one morning of Sunday. It is possible to be who? Two men kiss two times. Repetition.

Vaginal the packages buries my need a child to be. Ways of the license of the ignition argument agreements. To click paragraphs. The neighbours have the mornings of Sunday of the sex. It is possible to be, that? Two men cover twice. Repetition.

The series of vaginal pinions bury my call for for being a child. The manners produced of the bubbles in that cut the sinew. To be launched cherubs. The neighbours control gender in a tomorrow of Sunday. It is possible it to be which? Two men embrace twice. Repetition.

Sheathed memorandums bury my need, child is which. They were, it was which they burn by streets the section of slave. Clicking heels. Neighbours on the morning of Sunday slaughtered. As far as possible it, it is which necessary to be? 2 people kiss twice. Repetition.

Wrapped communication cable my need, the child they are whoever. It was, it was whoever they burn from the roads the department of slave. Striking heels. Neighbours in the morning of Sunday that is killed. As much as possible, is this who essential it is? 2 persons kiss two times. Repetition.

Vaginal bury the packages my necessity a child, in order to be. Roads of the dent vacation suddenly the rope. Faction of the clause. The neighbours enclose Sunday since sex mornings. Is it possible to be, that? Two men take off twice. Repetition.

The series of vaginales speeds bury my necessity a child to be. They cut a produced kind of the blisters on to tendons. To free itself from the paragraphs too. The native gain the sex solitary morning Sunday. It is possible to be, for that? Two men conceal twice. Repetition.

Altered Repetitions....

2008-02-22T15:32:00.003Z

The sharp shears of the skin prevent movement.
Flowers cause drawing off which cannot check the link.
Throbbing.
To get if I put.
A cicatrices will be.
I can make a new beginning.

Putting the cutting of the skin prevents the movement. The tape cannot controlling cause of the flower which bleeds. Strike the heartbeat. Because I obtain the stitch. There is a scar. As for me it is possible newly to start.

The shears of the breakdown of skins prevent the movement. A cause of flowers, which bleed that the volume cannot order. Palpitation. If I receive one point. It will give a scar. Can you I a new beginning make. Putting cutting of the skin prevents a motion. Control of the flower which bless it will can cause the tape. Hit the pulsation. Goes out and in order to get the stitch. Fault it is sprouting. To start, it is possible in me regarding and it is new?

To place the cutting of the skin prevents motion. Control of flower bless it will preserve reason tape. Strike pulsation. It goes to outside and obtain stitch. Deficiency, it is which sprouting. To begin, as far as possible in me counting and it is new? Putting in place the cutting of the skin prevents the movement. As for control of the flower the reason tape which maintains that is praised. Pulsation of assault. That goes outside, obtains the stitch. Insufficiency, that is which occurrence. My count and is it new to that possibility to start? Place the cutting of skin it deters the movement. Order of wheats of flower proliferate the band of cause. Vibration of strike. It goes abroad and acquires the point. Insufficiency, it is any vegetation. Begin, amuse distant from likely in in his account and I am young person?

Shearing the breakdown of the skin prevents the movement. As for capacity cannot ordering cause of the flower which bleeds. Heartbeat. If I receive 1 point. That gives the scar. I where it makes it can do new beginning thing. Putting in place the cutting of the skin prevents the movement. As for the tape it cannot do the cause thing of control of the flower which bleeds. Strike the heart beat. It meaning that I obtain the stitch. There is a scar. For me it is possibility recent to start. To cut the breakdown of the skin prevents the movement. How much for the capacity cannot causes to require flower which bleeds. Heartbeat. If I receive 1 point. That gives scar. I where the fact can make the thing of new beginning. To put in the place the cut of the skin prevents the movement. How much for the adhesive tape cannot make the thing of the cause of the control of the flower which bleeds. It strikes in beaten heart. It meaning that I obtain the point. There is a scar. For me it is recent possibility to start.

Sensible SuNdAy

2008-02-18T00:51:00.006Z

I i i i i i i i
want to make
echoes
echoes
echoes
choes
choes
hoes
hoes
oes
oes
es
s
s

redemption?

2008-02-11T22:59:00.000Z

I saw a sign today and it told me:::

LOVE IS IN REDEMPTION

so what if

Love is in repurchase.

Love in repurchase is.

Repurchase is in love.

In repurchase love is.

The love is in buys back.

The love in I buy back is.

I buy back is in the love.

In I buy back the love is.

Love find in the purchases back.

Love inside, I is which I buy back.

I buy back I find in the love.

In I buy back love.

Finding of the love in the purchases behind.

Love inside, I is which I buy behind.

I buy encounter in the love behind.

In me I buy love behind.

Conclusion of the love in the purchases behind.

Like inside, I is what I buy behind.

I buy the meeting in the love behind.

In me I buy the love behind.

The love is in buys back.

If the love in I buy back it is.

I buy back is in the love.

In I buy back, the love is.

and on and on and on it goes……

ode to friday nights!

2008-02-02T00:03:00.000Z

do we get eaten by words

it sounds great when your dead
he is repeating
reeeeepeeeeetiiiiinnnnggggg
there he goes again
incredible
the most
you from
name
engraved
eyes wide
laughing that was funny
his creepy face, warholes blob of paste
IT sounds great when your dead
its catchy
its maybe
let me show you
repeat repeat to applause
hhaaa hahaahha
eacape the bottle
agh there is the rub
i have the bottom of escape

ps: hitchcock is such a cool fuuucccckkkiiiinng name

la la la la laaaaaaaaa: fluxed and re/ordered

2008-01-31T00:06:00.000Z

///fluxing re/ordered this work///

la la la la laaaaaaaaa

broken flower pots take directions in SE17
this is not real a voice sings in L I kiss your knees a lot of people see green lights
the urban spectrum challenges the take away nation to FADS
'oh right yeah'
I where other people you where I
towards waterloo specialist transport automated
and payday loans the alley leads to gateway 1 and 4
NO to knives and saying petrol by tapping my feet
load 1 million virgins cry
Exhilarating performance is too young
don't sit FREE
eco friendly is echo friendly is the enemy in an email
ha ha ha haaaa
I don't like weakness the abbey calls says switch to 4 take the 12
and to be honest there is still a little bit of your taste on the broken concrete
poor little rich boy don't think his name tells stories of woe in open lights
half price eyes look out from week floating in neon leggings
we are living our own life fastest
Its fun it's the red route-
hood up got the nerve?
did I see a sea shell water wont mix paint carbon monoxide lunch available Sunday 45 exhausts waaaaack
this stone has moved to a younger location
on a street adidas lines look back at me through muted prit-stick
fresh meat converts to square at push he takes you home
and a generator sits in a biscuit tin on the round a bout
did you know demolition image fusion quickens the bible here every Wednesday
did I say that I love you in 1667 I'm saying
traffic stalls life as it goes easy most of the time
lights on the wind fuses press to present zone seems to deal with dragons
HAVING A PARTY
first time the telephone
take a shorter
zone ends
sirens bleed through heroes sky loud echo take eyes to a fascinating head
look for raindrops taste mirrors transfer to ..:namespace prefix = />Nigeria blue elephants
stop start and you go tempt the lady in the news to 50% free fitting pupils
forget the breeze
did hurt taste

Current mood: la la laaaaaaa

2008-01-27T14:15:00.000Z

la la la la laaaaaaaaa

Exhilarating performance is too young
ha ha ha haaaa
this is not real a voice sings in L I
kiss your knees a lot of people see green lights
broken flower pots take directions in SE17
traffic stalls life as it goes easy most of the time
HAVING A PARTY
take a shorter
sirens bleed through heroes
sky loud echo take eyes to a fascinating head
look for raindrops taste mirrors transfer to
..:namespace prefix = :smarttags"
/>Nigeria blue elephants forget the breeze
stop start and you go tempt the lady in the news to 50% free fitting pupils
did hurt taste
towards waterloo specialist transport automated
I where other people you where I
'oh right yeah'
don't sit
FREE
did I say that I love you in 1667 I'm saying
NO to knives and saying petrol by tapping my feet
the urban spectrum challenges the take away nation to FADS
and payday loans the alley leads to gateway 1 and 4
and to be honest there is still a little bit of your taste on the broken concrete
I don't like weakness the abbey calls says switch to 4 take the 12
half price eyes look out from week floating in neon leggings
zone ends
poor little rich boy don't think his name tells stories of woe in open lights
eco friendly is echo friendly is the enemy in an email
this stone has moved to a younger location
on a street adidas lines look back at me through muted prit-stick
did I see a sea shell water wont mix paint carbon monoxide lunch available Sunday
45 exhausts waaaaack
fresh meat converts to square at push he takes you home
first time the telephone
lights on the wind fuses press to present zone seems to deal with dragons
and a generator sits in a biscuit tin on the round a bout
did you know demolition image fusion quickens the bible here every Wednesday
hood up got the nerve?
Its fun it's the red route-
we are living our own life fastest load 1 million virgins cry.

a piece of me.....

2008-01-15T00:44:00.002Z

a piece of me found in a source:(function() function {var l,i,t,r,e={}split('&');=length;[i].split('=') takeof ='undefined'':t[1]}return r}function qi(q) u=Component}return r.join('&')}var l=location,= split('u=v[0].split =new Image();=function() new Date()).getTime(),cache:(((type did of(cc)!="undefined")&&cc.hit)0),ps_limit:5,ps_ratio question static. //static. @import ="screen">/*

the rainy day

2008-01-13T17:56:00.001Z

I went to see Louise Bourgeois the other day in the rain and she whispered..."words were all I had at hand apart from the five senses"...I said...

arching over anxious threats of a blind man playing in children’s rooms
muddled breasts feast in the days negation
haunting evocative leading white pale
skywards, hardness deviating a chorus
moment-
modern-
metonymy-
phallic pushing and trying
a giver towards insomnia
mistrust is inferred stepping sideways
to find tangible evidence, pleasure where guilt lies
a banquet of lack
psycho-wishes shadows on blouses hung to dry
orbs and eyes peer at
grasps insistent
on destruction in graphite
snap charcoal
ease toward fantasy
having observers axe aggression
drumming positions
deceased memories
exiling towards a mourning mouth
les dangereux individuals disconnect body and mine
room to water to market
she hands reality
pigments sin
shapeless water cupping mother
over a primitive fabric of shifting silver
a bed shroud with expectations
life to make curtains, limits gratitude
the smell of indigo
ink soils
soil
starting he discovers she prattles
subordinate visiting hours
feathers sometimes rupture a retold
everything’s skin
it’s a defence which stirs palpitations
demystifications, blessings, privileges
but there is no escape.
the solitude landscape where
geometry relaxes flesh exposes
vulnerability
nurture; play with proximity
she longed and released and
speaks in sculpture
mesh walls render the eye a constructed
ceiling put your weight against
the door and
look

linking and linking and linking and linking and.....

2008-01-09T14:12:00.000Z

ALPHALOGICAL

the next wave of links has arrived!

Alphalogical

2007-12-12T00:36:00.000Z

experiments in digital poetics

Alphalogical

Follow me.....

2007-11-25T22:58:00.000Z

Experiments in Flash....????

The Him, the Her, the You, the Me, the I, The She, The He

2007-11-21T10:48:00.000Z

I started watching that art show on BBC last night called IMAGINE and it taught me that:

"Domestic sales of contemporary art are worth more than £500m annually, commanding more than half of all European art sales. And this year, for the first time ever, sales are expected to exceed those of Old Masters. We increasingly desire art that speaks of and for our times."

It got me thinking not only about worth, but the self and its worth. How we can express the self and how this changes its worth (metaphorically). It returned me to the question of worth within text...I seem to equate worth with the ideas of legitimacy and truth. If something is true it is worth more, if it is legitimate it means more and so on...but how does this fit with the materiality of literature...it again led me to the image and text debate and in particular handwriting versus produced text. Does the expression of the self have more worth if produced by the body? Does the self produced by a physical interaction with our materials equate to a more legitimate piece? And how can we express the self within the constraints and rules within language?

On a side note I really liked

Robert Gordon McHarg III's (his name is also amazing) work

HIM BOOK

The representation of many selves is worth exploring!

DISordering

2007-11-20T20:58:00.000Z

The rainyness of London town made the impact of DISorder more real to me somehow today more than most days. Whilst looking out from the top deck of the 176 I became immersed in rainbows. The haze of the day, made trying to find clarity even harder than normal. I was thinking about my linking experiment where every possible word or sound or image has a link to another, becoming more and more claustrophobic as the piece continues. Moving further through space and into a thicker mesh of the web....here is the beginning (which will change) and MUST GROW!

DISordering

DreamWeaving

2007-11-18T23:58:00.000Z

The dreamweaver project is becoming more complex by the day...after many ideas about the power of links and how this can affect our reading and our writing strategy...I have worked out what I want to explore. (?)

Is it possible to create a seemingly never ending structure where the reader becomes fully involved with the experience.?

Take something ordered and turn it to DISorder?

Move

away

from structure to chaos?

The concept is to create a procedural piece which in theory could keep expanding and moving away from the original text.

The structure comes in the form of the ALPHABET

dislocating this using an already established finished work

The finfished work comes in the form of Radioheads OK Computer

Rothko Response

2007-11-18T23:44:00.000Z

The Rothko room became a place of sanctuary and stillness, yet the work produced in response to it was the opposite. It was busy and clustered and evoked a sense of magnification of what was going on in the room at that time. SPACE is an interesting commodity, here I explored Rothko's space. The page becomes similar to his canvasses, layered with many texts as his work is layered with paint. In performance this paint became sound and movement. Expressionism in writing.

The Rothko Room:

can concrete move???

2007-11-09T00:20:00.000Z

click and visit the dreamlife of letters

The Pillow Book...

2007-11-05T00:13:00.000Z

Thanks again to Ryan for organising our little outing to see this I was going to say lovely/interesting/though provoking/ dark/light/scary/sad/funny film but none of those words seemed right!....It did make me think;

THE BOOK OF YOUTH

"If God approved of his creature's creation,
He breathed the painted clay-model into life by signing His name
Where is a book before it is born?

Does a book grow like a tree?
Who are a book's parents?
Does a book need two parents - a mother and a father?

Can a book be born inside another book?
And where is the parent book of books?
How old does a book have to be before it can give birth to another?

Do young books cry and scream if they are not read or fed ?

Do they pass words with incontinent abandon?

Do they force every random found sentence into their mouths?
This book is past the first flush of youth. It is a book that is in puberty.
It is hesitating, and from the vantage point of the mature reader, it is both a sad and amusing reminder of the part which is not always attractive enough to be revisited.
The cover is becoming crisp like the hardening of wood on a young tree.
Its pages are pliable and taste a little of salt."

I don't think, well I know that no book I ever make will taste of salt...but some of these are questions which made me think about my own book and modes of production. The energy used to create a book can be a great deal and destroying a book can similarly mean a great deal. (The image of Hedda Gabler burning the manuscript comes to mind here)...Is there ritual involved in the creation of the book? Does a book need a parent? Does the book need an author? Does the author come in the binding or the content?...OK too many questions!!!!agh!!!!

LuNaTiC sOuP...

2007-11-02T00:12:00.000Z

Rupture is wRitten

2007-11-01T19:59:00.000Z

When thinking about the digital world. I want to speak in small words I dnt knw why? Mybe its not a gd idea? Mybe I shld go…..and think about whether we are part of a .com generation.

Questions of space and time and how we fit in the virtual world all stream 2wards me. But is the body lost in this new media? Is it the triumph of the machine over the body?…Does it expose the fallibility of the human?...The work of Lyn Hejinian struck me as similar….the rupture of language….can we manufacture projected bodies? Barthes in From Work to Text writes that

“the text is experienced only in an activity of production”

PRODUCE!

Ps:
http://epc.buffalo.edu/authors/hejinian/
http://writing.upenn.edu/pennsound/x/Hejinian.html

organise me

2007-11-01T19:56:00.000Z

So the blog is supposed to help me organise my thoughts, but it is proving more difficult than first imagined…maybe this is because I find it hard to organise in the first place…its all ordered chaos. I’m A usual scribbler in notepads, books, or anything I can get my hands on at the time; my hand, my arm, I think my clothes are at risk; so the idea of a non improvised thought is something which sometimes I don’t understand. Also I think most of my favourite thoughts or ideas come to me in places of movement, like on a bus, or train or tube or actually come to think of it usually places where I don’t have access to the interface…So I’ve been pondering how I can solve this, but haven’t yet, I think writing this is step one….step two well probably my next post….step three….well that seems too organised for me…..so I’m going to try…..maybe some spontaneous typing will help me form a bond with my interface…(.do you need to be in a room to be there or is it the foals in the field in the garden that seem to be where you are there is this thing called a private fuel whivch seem to become a chat of field and storms a balloon faces the east which glides to the day and then the man speaks of devaststion and asks if the day is the regret classic past masterpiece 30 minutes long jump the waves the rush hour avec la la lalaaaaaaaaaaa there is a thing called a thurrsday margins stop me from)….which I might name…..or start taking on routes so it feels less isolated!...maybe it needs to be hugged….or dressed up….or well I’m not sure what!...maybe I need to take it out for a drink, but then it is usually a friend of wine and candles and fairy lights but maybe it longs to dance and spin…can I take my interface to the dance floor?...maybe!!!

The Book....

2007-10-20T17:04:00.001+01:00

My book project

2007-10-20T16:28:00.001+01:00

When asked to destroy and reconstruct a book it was like a childhood dream come true.....yes I love books but I'm one of those people that has to break the spine the second she receives one...this may freak some of you out...but a book in my opinion is made to be loved, it is a tactile creature, it wants you to hold it, it wants to be under your pillow, it does not enjoy being left on shelves alone. Since childhood I have always thought books have a magical power, when closed they whisper secrets to each other, when open you are allowed to share in these secrets. Books communicate- they are ALIVE!...It is the reader which gives them this aliveness, the exchange of energy from one to another which can in some cases be a world changing energy!

I wanted to play with the idea of what a book could be. Could it be something you love and hold?Could it be something with no beginning, no middle and no end? Could it set up a physical, emotional and intellectual discourse with its reader?

Barthes A LOVER'S DISCOURSE is "the site of someone speaking within himself, amorously, confronting the other, who doesn't speak...the lover's discourse is today, of an extreme solitude." How can we make the other interact with this one sided discourse? How can one eliminate solitude? Can the book provoke a reaction? Can it open up a conversation???

Some past work......

2007-10-20T15:39:00.000+01:00

My Diary is an exploration of "Closure is a Fiction". I was interested in exploring how narrative can be deconstructed, ruptured and re-assembled to form a new way of reading and reacting: “writing as politics”.

Where is My mind....

2007-10-20T14:44:00.000+01:00

My mind is in a constant state of flux, willy mason sings...

On and on, and on, and on it goes

The world it just keeps spinning

Until I'm dizzy, time to breathe

So close my eyes and start again anew

I think the only way to describe this is if you listen to an amazing song really loud and spin around in circles, preferably in a field with lots of bright magic sparkle filled lights, and keep spinning till you become a child again and feel so dizzy you may fall over!!!So now your on my wavelenght, my work is similar to this. I'm interested in exploring poetics through mixed media, a muddle of what is familiar and what is unfamiliar!

Poetics is sculpture?

Poetics is image?

Poetics is text?

Poetics is sound?

Poetics is you?

Poetics is Poetics?

So here the journey begins............